Posts Tagged ‘Los Angeles Theater Review’

ASSASSINS

Haste is of the essence in catching Red Blanket Productions’ superb intimate stage revival of Stephen Sondheim and John Weidman’s Assassins, not simply because only weeks remain in what looks to be a sold-out run at the Pico Playhouse but because, if Actors Equity has its way, starting next June you will never again see such a 99-seat production in Los Angeles County. Ever. (More on that later.)
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GUYS AND DOLLS

RECOMMENDED

The American musical theater classic Guys And Dolls gets a mostly quite good in-the-round revival at Glendale Centre Theatre highlighted by a pair of scene-stealing Dolls—Heather Lundstedt as Sarah Brown and Ann Myers as the one-and-only Miss Adelaide.
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SPRING AWAKENING


Spring Awakening, the 2006 Tony winner for Best Musical, is back in town, an event that would be considerably less newsworthy were it not for the memorable directorial debut it provides recent UCLA grad Michael Kozachenko and the musical theater showcase it offers its talented young cast, most of whom are new to L.A. stages.
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EL GRANDE CIRCUS DE COCA-COLA

Impresario extraordinario Pepe Hernandez is back, una sensacional bit of news for anyone looking for 90 minutos of nonstop hilardad. Simplemente put, El Grande Circus De Coca-Cola, now playing at the Skylight Theatre, is the funniest show you’re likely to see in todo el año de 2015.
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SONDHEIM UNSCRIPTED

The improvisational geniuses who call themselves Impro Theatre are back at the Falcon with another of their surefire crowd-pleasers, Sondheim UnScripted, confectioning a fabulously original “Stephen Sondheim musical” each and every time they take the stage.
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SOMEONE WHO’LL WATCH OVER ME

RECOMMENDED

Frank MacGuinness may have written Someone Who’ll Watch Over Me back in the early 1990s, but the Irish playwright’s seriocomedic look at three Westerners held hostage somewhere in the Middle East remains, nearly a quarter century later, as timely as today’s headlines, as San Pedro’s Little Fish Theatre imaginatively directed revival makes clear.
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CAFÉ SOCIETY

Zaniness reigns supreme in Peter Lefcourt’s screwball Café Society, now getting a terrifically performed, imaginatively directed, cleverly designed World Premiere at West L.A.’s Odyssey Theatre, the ever so “Westside” laughfest marred only by a jarring 11th-hour tonal shift that bears rethinking.
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FENCES

International City Theatre revives August Wilson’s Pulitzer Prize/Tony Award-winning Fences to stunning effect in a production sure to win universal acclaim for its director, its two extraordinary stars, its equally stellar supporting cast, and indeed everyone involved in this most powerful of stagings.
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