Posts Tagged ‘Los Angeles Theater Review’

WIT

Too much meddling with a Pulitzer Prize winner, along with an otherwise effective Kelly Carlton’s unwillingness to “go all the way,” make Stage Against The Machine’s revival of Margaret Edson’s Wit a no-go despite co-director Carlton’s often quite moving work as Vivian Bearing PhD and a couple of terrific supporting turns.
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THE PENIS CHRONICLES

RECOMMENDED

The eight largely unrelated monologs about sex and love (from a male point of view) that comprise The Penis Chronicles: Every Man’s Journey make Tom Yewell’s World Premiere drama seem at times more acting class showcase than full-fledged play. Still, there are enough fine performances in its mostly well-written one-man playlets to make The Penis Chronicles worth a look-see by those who don’t mind its lack of character interaction or cohesive storyline.
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POSSUM CARCASS

The love triangles of Anton Chekhov’s The Seagull return to wild-and-crazy 21st-century life in David Bucci’s Possum Carcass, the 120-year-old Chekhov classic retold as graphic novel … and the latest from the always intriguing Theatre Of NOTE.
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THE GAYEST CHRISTMAS PAGEANT EVER!

The Gayest Christmas Pageant Ever! is back for the holidays, tidings of good joy for anyone in search of outrageously funny end-of-year cheer out North Hollywood way.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT

The international phenomenon Joseph And The Amazing Technicolor Dreamcoat serves as a terrific vehicle for a talented young cast and an equally terrific showcase for director Jeff Lowe, choreographer Jenny Moon Shaw, and musical director Sarah Weinzetl at the Covina Center For The Performing Arts.
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TRAIN TO ZAKOPANÉ: A TRUE STORY OF HATE AND LOVE

NOT RECOMMENDED

The story Henry Jaglom has to tell is a compelling one and the lead actors who bring his star-crossed lovers to life do powerful work. Still, clunky dialog, uneven supporting performances, and problematic set and costume designs make Train To Zakopané: A True Story Of Hate And Love rather a tough go, even for those like this reviewer with a fascination for Europe in the first half of the 20th century.
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HELLCAB

When Jean-Paul Sartre wrote “L’enfer, c’est les autres,” the “others” he was referring to could easily have been the passengers who make a Chicago cab driver’s life a living enfer in Will Kern’s hilarious (or should that be “hellarious”) Hellcab, back at the Elephant Theatre for the first time since its smash 2005 run with its director and cab-driving star once again along for the ride.
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A SPIDER-MAN CHRISTMAS: A SATIRE

RECOMMENDED

Spider-Man meets It’s A Wonderful Life (with a bit of Charles Dickens’ A Christmas Carol thrown in for good holiday measure) in Cameron Parker’s A Spider-Man Christmas: A Satire, and if this latest from Mosaic Lizard Theater is a bit rough around the edges and not all performances up to those of its more highly-trained and experienced cast members, it does one thing to perfection. It keeps its audiences in stitches throughout. (Make that red-blue-&-black stitches, to match Spidey’s superhero garb.)
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