Posts Tagged ‘Los Angeles Theater Review’
BUDDY – THE BUDDY HOLLY STORY
Monday, January 19th, 2015
February 3, 1959 may well have been, as Don McLean sang it, “the day the music died,” but the music of Buddy Holly lives on at Candlelight Pavilion Dinner Theater in the crowd-pleasing musical/tribute concert hybrid that is Buddy – The Buddy Holly Story.
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BILLY ELLIOT THE MUSICAL
Sunday, January 18th, 2015
Few Broadway shows of recent years combine the drama, the laughter, the heart, and the emotional punch of Billy Elliot The Musical, now playing at the La Mirada Theatre For The Performing Arts. Factor in the music of Sir Elton John, brilliantly original direction and choreography by La Mirada’s very own Brian Kite and Dana Solimando, and a cast who prove that nobody does it better than our SoCal triple-threats and you’ve got not only the first Must-See big-stage musical of 2015, you will likely find yourself waiting a good long while before any other locally-staged musical achieves the heights to which Billy—at one point quite literally—soars.
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SERRANO THE MUSICAL
Saturday, January 17th, 2015
SoCal’s major regional houses can eat their hearts out they didn’t get first dibs on the World Premiere of Serrano The Musical, while L.A. musical theater aficionados can rejoice that this sensational contemporary adaptation of Cyrano de Bergerac told Goodfellas style is making its debut in the up-close-and-personal intimacy of the Matrix on Melrose.
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PROOF
Saturday, January 17th, 2015
How many plays can you name that have won the Drama Desk Award for Best New Play, the Lucille Lortel Award for Outstanding Play, the Tony and New York Drama Critics’ Circle Awards for Best Play, and the Pulitzer Prize for Drama?
David Auburn’s Proof is that rarity, a major prize-winner now making a welcome return to Los Angeles in an impeccably directed intimate production by Moth Theatre’s John Markland, ingeniously designed by Justin Huen and sensationally performed by Amanda Brooks, Chris Marquette, Felicity Price, and John Cirigilano, a foursome any major American theater would be thrilled to have grace their stage.
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THE WHIPPING MAN
Wednesday, January 14th, 2015
On April 9, 1865, General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House, at long last ending what is still the deadliest war in United States history. Five days later, President Abraham Lincoln was dead, the victim of an assassin’s bullet. Coincidentally, during this fateful week in our country’s history, Jews in both North and South observed Pesach, the festival of Passover, celebrating the freeing of the Israelites from centuries of slavery in Egypt.
Inspired by this bit of historical happenstance, and armed with the knowledge that there were indeed Jewish slaveholders (and Jewish slaves) in the pre-Civil War Deep South, playwright Matthew Lopez sat down to write The Whipping Man, a gripping, eye-opening look at three Jews—two black, one white—in the days just following Appomattox, a play now brought to compelling life in a spectacular South Coast Repertory debut set to transfer next month to the Pasadena Playhouse.
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RANSOM, TEXAS
Sunday, January 11th, 2015RECOMMENDED
San Francisco’s Virago Theatre Company has come south to offer L.A. its production of William Bivins’ edgy psychological thriller Ransom, Texas, and there is much to recommend in it, particularly Dixon Phillips’ intensely raw lead performance, though Phillips’ costar’s vaguely non-native accent makes it hard to buy the pair as a West Texas father and son.
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BLONDE POISON
Sunday, January 11th, 2015
Salome Jens gives an absolutely riveting performance as Stella Goldschlag, the Berliner whose collaboration with the Gestapo sent thousands of her fellow German Jews to the death camps, in the American Premiere of Gail Louw’s Blonde Poison, now playing at Beverly Hills’ Theatre 40.
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LEND ME A TENOR
Saturday, January 10th, 2015
Glendale Centre Theatre follows this past summer’s staging of Ken Ludwig’s Leading Ladies with the master playwright’s 1986 smash Lend Me A Tenor, a revival that hits all the right comedic notes as performed by an expert cast under James Castle Stevens’ snappy direction.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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