Posts Tagged ‘Los Angeles Theater Review’

PRIDE AND PREJUDICE

Jane Austen’s Pride And Prejudice has rarely if ever been more deliciously, delightfully entertaining than Actors Co-op’s irresistible new staging of Helen Jerome’s 1936 adaptation of Miss Austen’s two-centuries-old classic.
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GREASE

A number of imaginative directorial touches and a fresh young cast of up-and-coming triple-threats make Inland Valley Repertory Theatre’s midweek revival of Grease at Candlelight Dinner Theatre worth a drive out to Claremont even if you’ve seen the musical or its smash movie adaptation umpteen times before.
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THE WHIPPING MAN

On April 9, 1865, General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House, at long last ending what is still the deadliest war in United States history. Five days later, President Abraham Lincoln was dead, the victim of an assassin’s bullet. Coincidentally, during this fateful week in our country’s history, Jews in both North and South observed Pesach, the festival of Passover, celebrating the freeing of the Israelites from centuries of slavery in Egypt.

Inspired by this bit of historical happenstance, and armed with the knowledge that there were indeed Jewish slaveholders (and Jewish slaves) in the pre-Civil War Deep South, playwright Matthew Lopez sat down to write The Whipping Man, a gripping, eye-opening look at three Jews—two black, one white—in the days just following Appomattox, a play now brought to compelling life in a spectacular new production just transferred from South Coast Rep to the Pasadena Playhouse.
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REBORNING

The Fountain Theatre gives Zayd Dohrn’s powerful personal drama Reborning a Los Angeles Premiere that easily rivals those productions that have scored the Fountain more Ovation Award nominations and wins than any other intimate L.A. theater.
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BABES IN ARMS

Here’s a thought for schools considering yet another production of Grease, Bye Bye Birdie, or High School Musical. How about having a go at the quintessential “Hey, kids, let’s put on a show!” show, Rodgers & Hart’s Babes In Arms, and not the “sanitized, de-politicized rewrite” that debuted in 1959 but the 1937 original, political incorrectness be damned. As anyone attending Sunday’s one-night-only Concert Staged Reading at Musical Theatre West can tell you, there’s not a funnier, dancier, or more gorgeously tuneful show for up-and-coming musical theater majors to show off their triple-threat talents than Babes In Arms 1.0.

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TIME STANDS STILL

A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, back in town now in a production every bit the outstanding equal of Aquila Morong Studio’s previous intimate revivals of Proof and Crimes Of The Heart.
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INTO THE WOODS

Into The Woods is back big time, its long-awaited film adaptation joined by a couple of recent, much lauded out-of-town imports at the Old Globe and the Wallis Annenberg, community theater productions galore, and now by the supremely talented students who’ve been starring in, directing, and designing one terrific intimate revival after another at USC over the past eight years, the musical theater stars of the future who call themselves Musical Theatre Repertory.
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BUDDY – THE BUDDY HOLLY STORY

February 3, 1959 may well have been, as Don McLean sang it, “the day the music died,” but the music of Buddy Holly lives on at Candlelight Pavilion Dinner Theater in the crowd-pleasing musical/tribute concert hybrid that is Buddy – The Buddy Holly Story.
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