Posts Tagged ‘Los Angeles Theater Review’
WASHER/DRYER
Friday, February 20th, 2015
Sometimes all it takes to turn a cramped, overpriced, single-occupancy big-city condo into a must-own Manhattan co-op is something as seemingly trivial as a washer/dryer, which is why newlywed Sonya will do anything to maintain ownership of her co-op in Nandita Shenoy’s terrific World Premiere Comedy Washer/Dryer—even if it means pretending that her handsome hubby is merely a frequent sleep-over chum.
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ENTER LAUGHING THE MUSICAL
Wednesday, February 18th, 2015
A long and winding road has at last led a long-forgotten musical comedy gem from its blink-and-you-missed 1976 Broadway run to a delightfully nostalgic, laugh-out-loud hilarious, infectiously tuneful intimate revival at Beverly Hills’ Wallis Annenberg Center For The Performing Arts Lovelace Studio Theatre.
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A LOVELY LINEAGE
Monday, February 16th, 2015
When you grow up the granddaughter of both an MGM movie musical goddess and the pop vocalist who took “Laura” to the top of the Hit Parade, your lineage is a lovely one indeed, as this past year’s Scenie-winning Director/Star Of The Year Kristin Towers-Rowles makes abundantly clear in A Lovely Lineage, her musical tribute to her Hollywood heritage.
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SONS OF THE PROPHET
Monday, February 16th, 2015
“We’re like the Kennedys without the sex appeal” quips 29-year-old Joseph Douaihy about his woe-beset blue-collar Eastern Pennsylvania family in Stephen Karam’s extraordinary new play Sons Of The Prophet, now getting its Los Angeles Premiere at Hollywood’s The Blank, as fine an example as one could wish for of just how crucial the Los Angeles 99-Seat Plan is to our city’s one-of-a-kind intimate theater scene.
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SOUTH PACIFIC
Sunday, February 15th, 2015
If there’s one thing Musical Theatre West’s old-meets-new revival of South Pacific makes abundantly clear, it’s this: Few 20th-century musicals can match the 1949 Rodgers & Hammerstein classic in absolute brilliance.
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I LOVE YOU, YOU’RE PERFECT, NOW CHANGE
Saturday, February 14th, 2015
Men are from Mars and women are from Venus and both sexes (and the battles between them) are as entertaining as male-female battles get in The Los Angeles New Court Theatre’s terrifically performed revival of Joe Di Pietro and Jimmy Roberts’ two-decade-old—but eternally relevant—smash off-Broadway musical revue I Love You, You’re Perfect, Now Change.
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THE NIGHT ALIVE
Saturday, February 14th, 2015
Superb performances, a brilliant production design, plenty of chuckles (with a few gasps thrown in for good measure), and characters as weirdly idiosyncratic as any I’ve seen onstage spark the Geffen Playhouse’s West Coast Premiere of Conor McPherson’s The Night Alive. As to whether the play itself is worthy of the unqualified superlatives that out-of-town critics have showered upon McPherson’s oh-so quirky comedy, well, I’ll leave that up to you to decide.
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HELLMAN V. MCCARTHY
Thursday, February 12th, 2015
Hell hath no fury like a best-selling author dissed, or so Lillian “The Little Foxes” Hellman made abundantly clear when she sued fellow writer Mary McCarthy for disparaging words uttered during a 1980 TV interview with PBS talk show host Dick Cavett.
Playwright Brian Richard Mori returns to the scene of the alleged slander with none other than 78-year-old Dick Cavett playing a 40something Dick in Mori’s terrifically entertaining comedy-drama Hellman v. McCarthy, now getting its West Coast Premiere at Beverly Hills’ Theatre 40.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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