Posts Tagged ‘Los Angeles Theater Review’

TORUK – The First Flight

 

Spectacle there is in abundance and performers are as spectacularly multitalented as you’d expect from Cirque Du Soleil, but the stadium-scale TORUK – The First Flight, now making a four-day stop at The Forum, is likely to prove a letdown to both Cirque fans and those expecting see James Cameron’s Avatar live on stage.
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BLOODLETTING

A Filipino-American brother and sister’s pilgrimage to their recently deceased father’s birthplace takes a supernatural turn in Boni B. Alvarez’s Bloodletting, a Playwrights’ Arena World Premiere that could appeal to fans of the occult who don’t mind spending seventy-five minutes with a couple of rather obnoxious siblings.
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BLACK COMEDY

An inspired concept and some virtuoso physical comedy make the first two-thirds of Peter Shaffer’s Black Comedy a one-of-a-kind Glendale Centre Theatre treat before the laughter gets derailed by a jarring second-act tonal shift and some unexpected (and decidedly unpleasant) character twists.
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THE LION

One man, six guitars, fifteen songs, and Benjamin Scheuer’s extraordinary true-life tale add up to twenty-two reasons not to miss the Geffen Playhouse L.A. Premiere of the award-winning international sensation The Lion.
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OTHER PEOPLE’S MONEY

Nearly three decades may have passed since Other People’s Money first introduced off-Broadway audiences to corporate takeover whiz Larry The Liquidator, but Jerry Sterner’s bitingly comedic look at our country’s increasingly affluent 1% proves as relevant as ever as evidenced by its terrifically entertaining (though sadly just-closed) InterACT Theatre Company revival.
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STAY TUNED

Polish it may lack but laughs there are aplenty in Stay Tuned, Ryan Paul James’ amusing mash-up of Charles Dickens’ A Christmas Carol and Orson Welles’ War Of The Worlds, Theatre 68’s holiday gift to North Hollywood and beyond.
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AMÉLIE, A NEW MUSICAL

Romance and whimsy reign supreme at the Ahmanson Theatre this holiday season as the century’s most popular French movie heroine takes center stage in Amélie, A New Musical, a Southern California Premiere blessed by a tuneful (and virtually nonstop) score, entrancing performances (including a beguiling star turn by Hamilton star Phillipa Soo), and a magical production design unlike anything I’ve seen before. Give Amélie, A New Musical some judicious book tweaking and it could well prove a Broadway winner in 2017.
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I’M JUST WILD ABOUT HARRY

I’m Just Wild About Harry, Gary Lamb and William A. Reilly’s Americanized musicalization of Brandon Thomas’s classic 1892 British farce Charley’s Aunt, is back for the holidays with an all new cast but the same proven blend of gender-bending screwball fun and frolic, early 20th-century song hits, and happily-ever-after romance that have made it a crowd-pleasing Crown City hit not once but twice.
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