Posts Tagged ‘Los Angeles Theater Review’

THE CITY OF CONVERSATION

Three decades of American politics get personal in Anthony Giardina’s fascinating hot-button family drama The City Of Conversation, now getting an impressive, star-studded West Coast Premiere at the Wallis Annenberg Center For The Performing Arts under Michael Wilson’s incisive direction.
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LA CAGE AUX FOLLES

Jerry Herman and Harvey Fierstein’s La Cage Aux Folles is back in L.A. thanks to East West Players, and as anyone who’s seen one of EWP’s annual Broadway musical revivals will tell you, this means yet another thrillingly reimagined Asian take on a contemporary musical theater classic.
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ON THE TWENTIETH CENTURY

The dynamite performances delivered by Chris Warren Gilbert and Jill Van Velzer in Musical Theatre West’s Reiner Reading Series concert staged reading of the 1978 Tony winner On The Twentieth Century are just two of the many reasons for someone, anyone, to give the Cy Coleman, Betty Comden, and Adolph Green gem the fully-staged SoCal revival it so richly deserves.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

No one know how to succeed at musicals-in-the-round better than Glendale Centre Theatre, proof positive of which can be savored in their pitch-perfect revival of the 1961 Frank Loesser/Abe Burrow Broadway classic How To Succeed At Business Without Really Trying.
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MY MAÑANA COMES

The subsistence-wage busboy protagonists of My Mañana Comes are young men the average theatergoer would normally pay not much attention to, which is just one reason why Elizabeth Irwin’s 2014 dramedy proves such an engrossing, eye-opening treat in its Los Angeles Premiere at The Fountain Theatre.
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THE GOLDEN DRAGON

RECOMMENDED
Five exceptional performances, Michael Michetti’s highly imaginative direction, and a breathtaking Theatre @ Boston Court production design add up to reason enough to check out Roland Schimmelpfennig’s The Golden Dragon despite a script more pretentious than profound.
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CAROUSEL

The students of the Ray Bolger Musical Theater Program show off their triple-threat talents in the UCLA Department Of Theater’s gorgeously sung-and-danced revival of Richard Rodgers and Oscar Hammerstein II’s Carousel.
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THE GLASS MENAGERIE

The wordless five-minute sequence that introduces us, heartstoppingly, to a Tom Wingfield haunted by memories that even years of distance have been unable to extinguish is but the first indication that Christian Lebano’s vision for Tennessee Williams’ most enduring classic is one we have not yet seen, and one that we will be talking and thinking about long after the light dims on the last of Tom’s sister’s precious Glass Menagerie.
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