Posts Tagged ‘Los Angeles Theater Review’

NOSFERATU, A SYMPHONY IN TERROR

A silent horror movie classic inspires Crown City Theatre’s excitingly original Nosferatu, A Symphony In Terror, arriving just in time to greet the Halloween season with its stunning blend of movement and dance performed to a gloriously symphonic soundtrack.
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LIKE BLOOD FROM A CHEAP CIGAR

An effective use of reverse chronology and a luminous Genevieve Joy are the two best reasons to catch Like Blood From A Cheap Cigar, Joy’s short, bittersweet look at love gone bad, now concluding a limited run at Hollywood’s Hudson Guild Theatre following its Hollywood Fringe Festival debut this past June.
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DUTCH MASTERS

A classic setup—Hitchcock called it Strangers On A Train—is given an excitingly edgy contemporary spin in Greg Keller’s edge-of-your-seat two-hander Dutch Masters, a Rogue Machine Theatre West Coast Premiere that will keep you guessing throughout its riveting seventy-five minutes, then have you talking about what you’ve seen long after its powerful final fadeout.
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LA CAGE AUX FOLLES

The Pride Of Saint Tropez, The Envy Of The Cabaret World, The Jewel Of The Riviera, in other words Jerry Herman and Harvey Fierstein’s La Cage Aux Folles, has opened its doors in beautiful downtown Claremont as Candlelight Pavilion Dinner Theatre debuts its absolutely fabulous big-stage revival of the 1980s Broadway classic, directed and choreographed with abundant flair by Roger Castellano.
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MUTUAL PHILANTHROPY

Copiously consumed whisky and wine fuel a dinner party for four as playwright Karen Rizzo puts a personal face on the social divide between the super-wealthy and the other 99% of us Angelinos in her explosive dark comedy Mutual Philanthropy, now getting an excitingly acted World Premiere by Ensemble Studio Theatre/LA.
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ANYTHING GOES

Reno Sweeney once again fires up the congregation with revivalist fervor (and some of the best tunes ever written) as Glendale Centre Theatre offers audiences its exhilarating revival of the 1930s Cole Porter classic Anything Goes, once again demonstrating GCT’s expertise at taking great big Broadway musicals and giving them intimate in-the-round pizzazz.
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PLEASE DON’T ASK ABOUT BECKET

Wendy Graf puts a personal face on the question of nature vs. nurture in Please Don’t Ask About Becket, the playwright’s latest family drama now getting an often compelling World Premiere guest production at The Sacred Fools Theatre Black Box.
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LI’L ABNER

They don’t write shows like Li’l Abner anymore, and not just because the 1956 musical adaptation of the Al Capp comic strip pretty much defines political incorrectness. With its Original Broadway Cast of fifty-four, only schools and community playhouses could possibly hope to produce this musical behemoth in 2016—which makes it a perfect choice for the theatrical genre known as the Concert Staged Reading, proof positive of which was evidenced at Musical Theatre West’s Daisy Maezing one-night-only Reiner Reading Series latest.
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