Posts Tagged ‘Los Angeles Theater Review’
VIOLET
Saturday, May 26th, 2018
Director Richard Israel and a couldn’t-be-better cast and design team get everything right in Actors Co-op’s soul-reviving intimate staging of Jeanine Tesori and Brian Crawley’s New York Drama Critics’ Circle-winning 1997 off-Broadway musical Violet.
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CULT OF LOVE
Friday, May 25th, 2018
There’s no place like home for a dysfunctional family Christmas as playwright Leslye Headland makes abundantly clear in her gripping, talk-provoking, edge-of-your-seat hilarious Cult Of Love, the long-awaited final installment of her Seven Deadly Plays, the series of vice-based black comedies that put both Headland and IAMA Theatre Company on the map.
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SPRING AWAKENING
Thursday, May 24th, 2018
A century before Spring Awakening The Musical took Broadway by storm (and won eight Tony awards in the bargain), German playwright Frank Wedekind shocked and outraged audiences on both sides of the Atlantic with Frühlings Erwachen, whose 2007 Jonathan Franzen translation proves a sensational UCLA Department Of Theater showcase for its director, designers, and cast.
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SPRING AWAKENING
Sunday, May 20th, 2018
Director-choreographer-designer Madeleine Heil reinvents Broadway’s Best Musical Tony winner Spring Awakening so sensationally at NoHo’s Cupcake Theater, it’s easily one of the two or three finest of the dozen productions I’ve seen so far.
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WOOD BOY DOG FISH
Sunday, May 20th, 2018
Wood Boy Dog Fish, Rogue Artists Ensemble’s deliciously twisted take on Carlo Collodi’s Pinocchio has moved uptown and upscale from the Bootleg to Toluca Lake, terrific news for those who like their fairy tales dark and dirty and theatrically magical.
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BAD JEWS
Friday, May 18th, 2018
Joshua Harmon’s Bad Jews is back in a terrifically acted and directed Odyssey Theatre Ensemble production that does its smart, button-pushing source material proud.
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SOFT POWER
Friday, May 18th, 2018
A New York cast and production team bring Los Angeles audiences the World Premiere latest from Tony-winning playwright David Henry Hwang and Tony-winning composer-lyricist Jeanine Tesori, the crowd-pleasing East-meets-West “play with a musical” Soft Power, as audacious in concept as it is for the most part effective in execution.
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DIE, MOMMIE, DIE!
Sunday, May 13th, 2018
Over-the-top doesn’t begin to describe the performances–or the fun of seeing so much scenery chewed by so sensational a cast–in Center Theatre Group’s Block Party reprise of Celebration Theatre’s 2017 comedy smash Die, Mommie, Die!
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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