Posts Tagged ‘Los Angeles Theater Review’

DEAD ACCOUNTS

A New York Banker returns to his family’s Cincinnati home with wads of cash and a secret that’s about to rock their world in Dead Accounts, Theresa Rebeck’s darkly comedic look at the Red State-Blue State divide, now getting a terrifically acted Southern California Premiere at San Pedro’s Little Fish Theatre.
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SHOOTING STAR – A REVEALING NEW MUSICAL

If there’s anything gay men adore, it’s musical theater and porn, just two of the reasons why Shooting Star – A Revealing New Musical, a Hudson Mainstage World Premiere, is the gay porn musical event of this or any other year.

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BE A GOOD LITTLE WIDOW

Life presents unexpected challenges to a newlywed bride in Bekah Brunstetter’s gut-puncher of a dramedy Be A Good Little Widow, a particularly fine visiting production at West L.A.’s Odyssey Theatre.

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MAMA METAL

Playwright Sigrid Gilmer deals with a lifetime’s worth of mother-daughter issues in the most theatrically adventurous of ways in Mama Metal, the head-banging latest from IAMA Theatre Company.
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LADY DAY AT EMERSON’S BAR & GRILL

Billie Holiday sings again at the Garry Marshall Theatre in Deidrie Henry’s searing tour-de-force star turn in Lanie Robertson’s Lady Day At Emerson’s Bar & Grill.
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DANIEL’S HUSBAND

Daniel and Mitchell have been together for seven years. One of them wants to tie the knot. The other does not. And that’s about all you need to know before making a beeline for the Fountain Theatre to savor Michael McKeever’s laugh-out-loud-then-get-out-your-hankies stunner Daniel’s Husband.
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BRONCO BILLY THE MUSICAL

An heiress on the run finds an unexpected hideout and a unique new family of friends while being pursued by a gang of comic villains who can’t manage to shoot straight in the infectiously crowd-pleasing World Premiere musical Bronco Billy, quite possibly the most tuneful and entertaining L.A.-cast Broadway hopeful since Sister Act made its Pasadena Playhouse debut back in 2006.
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AT THE TABLE

Booze and pot lower inhibitions, loosen tongues, and reveal cracks in the fifteen-year-long friendship of a quartet of 30somethings in Michael Perlman’s At The Table, a Road Theatre Company Los Angeles Premiere that proves as edge-of-your-seat compelling as it is provocatively button-pushing.
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