Posts Tagged ‘Los Angeles Theater Review’

PETER PAN


You’d have to be the most diehard of purists not to cheer the 70th-anniversary revisal of the oft-revived Broadway-to-TV classic Peter Pan, now delighting children and adults of all ages at the Pantages.
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NEWSIES


With Dillon Klena reprising his signature role to sensational effect and director-choreographer Jeffry Denman giving the production a fresh new look and feel, Musical Theatre West treats audiences to one of the best Newsies ever.
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THE SUBSTANCE OF FIRE

Five years after his acclaimed star turn as Willy Loman, Rob Morrow returns to the Ruskin Group Theatre in another powerhouse role, that of Holocaust survivor-turned-New York publisher Isaac Geldhart in Jon Robin Baitz’s The Substance Of Fire, a family drama unfortunately not in the same league as Death Of A Salesman.
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THE SPY WHO WENT INTO REHAB


A debonair British secret agent faces his evilest and most nefarious foe, i.e., his own alcohol, nicotine, gambling, and sex addictions (with anger issues thrown in for good measure), in Gregg Ostrin’s deliciously clever, fiendishly funny The Spy Who Went Into Rehab, the latest from Pacific Resident Theatre.
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DESIGN FOR LIVING

An Americanized trio of romantic protagonists and a gay subtext made explicit are two reasons Odyssey Theatre Ensemble’s provocative but problematic staging of Noël Coward’s Design For Living is a far cry from the one Broadway audiences first discovered back in 1933.
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THE LINCOLNS OF SPRINGFIELD

Garrett Deagon’s chameleon-like transformation into our nation’s 16th President opposite Samantha Craton’s luminous Mary Todd Lincoln elevates Terrence L. Cranert’s The Lincolns Of Springfield into something more than the overly romanticized by-the-numbers Abraham Lincoln bio-musical it would be without their presence on the Colony Theatre stage.
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UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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THE SANDWICH MINISTRY

Performances could hardly be better, but 65 minutes isn’t nearly long enough for playwright Miranda Rose Hall to fully flesh out her three protagonists or the issues raised in The Sandwich Ministry, now nearing the end of its run at the Skylight Theatre.
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