Posts Tagged ‘Los Angeles LGBT Center’s Village at Ed Gould Plaza’

MÉNAGE À QUATRE


What would you do if you found out that your spouse and your longtime best friend were having an affair? What if so happened that your spouse’s illicit lover was her own bff as well? These questions and more are posed and answered to terrifically entertaining effect in Peter Lefcourt’s Ménage À Quatre, the prolific L.A. playwright’s best new comedy since 2015’s Café Society.
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HAPPY FALL: A QUEER STUNT SPECTACULAR

The stunts, the puppetry, and the multimedia effects are indeed spectacular, but Lisa Sanaye Dring and Rogue Artists Ensemble’s Happy Fall: A Queer Stunt Spectacular ends up biting off more than it can chew in combining all of the above with the doomed love story of two gay stuntmen, one proudly out, one deeply closeted, in an industry where being heterosexual is a must.
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EXIT STRATEGY

A longtime teacher’s unexpected reaction to the impending closure/demolition of the beleaguered Chicago inner city school she has for decades called home serves as catalyst to Exit Strategy, playwright Ike Holter and the L.A. LGBT Center’s gripping, gut-punching follow-up to their 2015 critical/box-office smash Hit The Wall, and one of Fall 2017’s must-see productions.
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LEVI KREIS BROADWAY AT THE KEYS TOUR

San Francisco, (Seattle-adjacent) Everett, Nashville, and Lexington, KY are about to be treated to the same musical thrills and emotional chills that local audiences experienced last night at L.A.’s Renberg Theatre when Levi Kreis’s Broadway At The Keys Tour came to town.
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THE SEARCH FOR SIGNS OF INTELLIGENT LIFE IN THE UNIVERSE

Ten of L.A.’s finest actresses (and a couple of equally talented guys) deliver superb performances, and the production they are starring in proves one of the year’s most stunningly designed. Still, as was the case when I saw Lily Tomlin perform it as a one-woman showcase back in 1987, I found The Search For Signs Of Intelligent Life In The Universe, Jane Wagner’s collection of (mostly women’s) monologs and occasional multi-character scenes only intermittently engaging in its Los Angeles LGBT Center intimate-stage “revisitation.”
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FOOL FOR LOVE

I may never go gaga for Fool For Love, but if ever a production could make me a believer in Sam Shepard’s overheated take on Greek tragedy in today’s Wild Wild West, it’s the one now playing at the Davidson/Valentini Theatre thanks to some refreshingly subtle directorial touches and a quartet of superb performances, chief among them star turns by Burt Grinstead and Charlotte Gulezian.
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HIT THE WALL


“I was there!” roar the eclectic band of 1969 Greenwich Village People who populate Hit The Wall, Ike Holter’s slice-of-Stonewall now getting a daringly staged, thrillingly visceral West Coast Premiere that is, simply put, the next best thing to having actually been “there.” (Take that, Roland Emmerich!)
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STANLEY ANN: THE UNLIKELY STORY OF BARACK OBAMA’S MOTHER

Ann Noble makes an indelible impression as the woman who gave birth to our country’s president in the World Premiere production of Mike Kindle’s one-woman bioplay Stanley Ann: The Unlikely Story Of Barack Obama’s Mother.
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