Posts Tagged ‘Kirk Douglas Theatre’

DOG MAN: THE MUSICAL


Kids’ shows don’t get any more adult-friendly than Dog Man: The Musical, which is why whether or not you have school-age children who want to tag along, the off-Broadway hit’s new National Tour, now playing at the Kirk Douglas, just might be the most fun you’ll have at a theater this entire holiday season.
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OUR DEAR DEAD DRUG LORD

The four complex, authentic teen characters Alexis Scheer has created and the direction, performances, and design of Our Dear Dead Drug Lord’s West Coast Premiere at the Kirk Douglas Theatre are all so rave-worthy, it’s disappointing that the play’s gratuitously violent, deliberately unintelligible, and “WTF is that supposed to mean?” last twenty minutes are not.
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TAMBO & BONES

Dave Harris’s Tambo & Bones, a Center Theatre Group World Premiere, takes black anger against white America to such extremes that sitting through ninety minutes of it had me wishing I were anyone other than inside the Kirk Douglas Theatre. And it didn’t help that at least forty-five of its ninety minutes are devoted to ear-splitting, N-word/expletive-filled rap.
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FRIENDS! THE MUSICAL PARODY

Fans of a certain 10-season-long NBC sitcom smash are more likely than not to enjoy Friends! The Musical Parody, a touring guest production at Culver City’s Kirk Douglas Theatre.
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FOR THE LOVE OF (OR, THE ROLLER DERBY PLAY)

With director Rhonda Kohl choreographing like you’ve never seen a play choreographed before, it’s perhaps no wonder CTG picked Theatre Of NOTE’s For The Love Of (Or, The Roller Derby Play) to open year’s Block Party at the Kirk Douglas despite its overly familiar coming-of-age love story and a two-and-a-half-hour running time that could stand some significant snips.
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QUACK

Allegations of medical advice turned fatal threaten to destroy TV’s most beloved physician in Eliza Clark’s Quack, a Center Theatre Group World Premiere that proves as hilarious as it is timely as it is button-pushing and thought-provoking.
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SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY

Regina George has met her Ghanaian match in Jocelyn Bioh’s side-splittingly funny, acerbically perceptive, unexpectedly touching School Girls; or, The African Mean Girls Play, imported to the Kirk Douglas Theatre from its hit off-Broadway run with most of its original MCC Theater cast intact.
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MUTT HOUSE

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I defy anyone to resist the canine charmers of Mutt House, or their human companions, or the songs, or the laughter, or the romance, or the heart of this Kirk Douglas Theatre guest production, as gem-perfect an L.A. World Premiere musical as I’ve seen in at least a dog’s year.
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