Posts Tagged ‘International City Theatre’

I LOVE YOU, YOU’RE PERFECT, NOW CHANGE


Joe Di Pietro and Jimmy Roberts’ three-decades-old—but still delightfully relevant—smash off-Broadway musical I Love You, You’re Perfect, Now Change now gets a smashing 30th-anniversary revival at Long Beach’s International City Theatre
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MS. HOLMES & MS. WATSON–APT. 2B

Even the finest theaters can be permitted a major misfire from time to time, and such is the case with International Theatre Company’s 2025 season closer, Kate Hammill’s Ms. Holmes & Ms. Watson–Apt. 2B.
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MASALA DABBA


An Indian widow pays an unexpected visit to the adult daughter she hasn’t communicated with in over fifteen years, her daughter’s African-American husband, and the teenage granddaughter she has never met in Wendy Graf’s cross-cultural family drama Marsela Dabba, an impressive International City Theatre World Premiere.
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THE ANGEL NEXT DOOR


The stakes are sky-high when an about-to-be-published young novelist discovers that the inspiration for his debut opus may not be The Angel Next Door he’s imagined her to be in the Los Angeles Premiere of Paul Slade Smith’s latest comedic bonbon, a surefire late-spring hit for International City Theatre.
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THE VIOLIN MAKER

Its heart is definitely in the right place, and I can’t fault the performances elicited by director caryn desai, but I found Lisa Pearl Rosenbaum and Ronda Spinak’s downer of a Holocaust memorial play The Violin Maker too narration-and-flashbacks-heavy to fully command my attention throughout most of its two-hour running time.
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DESPERATE MEASURES


Take a classic Shakespeare plot, chop out all the boring and confusing parts, and transform it into a song-packed Wild West musical romcom and what you’ve got is the off-Broadway hit Desperate Measures, now cheering audiences at International City Theatre.
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MURDER ON THE LINKS


Playwright Steven Dietz has taken Agatha Christie’s 1923 whodunnit Murder On The Links and adapted it as a rollicking, tongue-in-cheek six-actor farce that only the most diehard Christie purist could fail to love.
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THE DOUBLE V

A little-known aspect of World War II-era African-American history is brought to life in Carole Eglash-Kosoff’s entertaining, elucidating, mostly successful The Double V, an International City Theatre World Premiere.
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