Posts Tagged ‘International City Theatre’
THE DOUBLE V
Monday, August 26th, 2024A little-known aspect of World War II-era African-American history is brought to life in Carole Eglash-Kosoff’s entertaining, elucidating, mostly successful The Double V, an International City Theatre World Premiere.
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THE OUTSIDER
Monday, June 24th, 2024
Things get hilariously out of hand when the seemingly ineffectual lieutenant governor of an unnamed state suddenly finds himself the man in charge in Paul Slade Smith’s The Outsider, a front-runner for the year’s funniest and smartest comedic treat.
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WHAT THE CONSTITUTION MEANS TO ME
Monday, May 13th, 2024Musical theater star Kelley Dorney captivates without singing a note in What The Constitution Means To Me, Heidi Schreck’s initially entertaining but ultimately long-winded lecture on the U.S. Constitution’s failure to protect the rights of women, people of color, immigrants, Native Americans, and members of the LGBTQ+ community.
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MARILYN, MOM, AND ME
Sunday, February 25th, 2024
A renowned character actress and the world’s most celebrated sex symbol form the most unexpected of friendships as a grown son celebrates his mother’s memory in Luke Yankee’s fascinating, informative, deeply moving Marilyn, Mom, and Me, now getting its long-awaited World Premiere at Long Beach’s International City Theatre.
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DEATHTRAP
Saturday, October 21st, 2023
International City Theatre winds up its 2023 season with Ira Levin’s Broadway suspense classic Deathtrap, guaranteeing audiences an abundance of thrills and chills and gasp-worthy plot twists amidst an equal bounty of laughs.
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EXIT WOUNDS
Saturday, August 26th, 2023
A father at the end of his rope seeks help for his delinquent teenage son from a woman he hasn’t seen in twenty-five years in Wendy Graf’s compelling, cathartic family drama Exit Wounds, now getting an absorbing World Premiere at Long Beach’s International City Theatre.
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INTO THE BREECHES!
Monday, June 12th, 2023
Playwright George Brant reinvigorates the backstage comedy with Into The Breeches!, his crowd-pleasing look at a theater company that refused to go under when its male actors went off to do battle in World War II.
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