Posts Tagged ‘IAMA Theatre Company’

CANYON

Memories of the way we were pre-Election 2016 ignite Jonathan Caren’s Canyon, the explosive latest from IAMA Theatre Company, Latino Theater Company, and the playwright who gave IAMA its much-awarded The Recommendation a half-dozen or so years back.
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AMERICAN HERO

Times are tough for the heroic “sandwich artists” of Bess Wohl’s absurdist, existentialist, surrealist, and non-stop hilarious American Hero, the latest Los Angeles Premiere from IAMA Theatre Company.
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CULT OF LOVE

There’s no place like home for a dysfunctional family Christmas as playwright Leslye Headland makes abundantly clear in her gripping, talk-provoking, edge-of-your-seat hilarious Cult Of Love, the long-awaited final installment of her Seven Deadly Plays, the series of vice-based black comedies that put both Headland and IAMA Theatre Company on the map.
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SINNER’S LAUNDRY

No playwright could ask for a better cast or finer production design than IAMA Theatre Company has given John Lavelle’s Sinner’s Laundry. Audiences, on the other hand, may find themselves leaving the Lounge Theatre clueless to the message, meaning, or simple raison d’être of Lavelle’s World Premiere absurdist existentialist comedy. I certainly did.
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REDLINE

A decades-estranged father and son meet for the first time since a car crash ripped their family to shreds in Christian Durso’s gripping, emotionally-charged Redline, an IAMA Theatre Company World Premiere that held me in its grip from the bombshell revelation that sets it in motion to its life-and-death final seconds.
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SPECIES NATIVE TO CALIFORNIA

Imagine if Chekhov had set The Cherry Orchard in 21st-century Mendocino County and you’ve got Dorothy Fortenberry’s Species Native To California, am IAMA Theatre Company World Premiere dramedy that proves that every good story is worth a good retelling.
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UNBOUND

Sympathy-defying characters in credibility-challenging situations make D.G. Watson’s Unbound a less than riveting follow-up to IAMA Theatre Company hits like A Dog’s House, The Recommendation, and The Accidental Blonde.
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A DOG’S HOUSE

The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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