Posts Tagged ‘Hollywood Fringe Festival’

THE BONEYARD AND TALISMAN

NOT RECOMMENDED

There’s no L.A. actress whose work I enjoy seeing more than Elephant Theatre Company’s Kate Huffman. Elephant artistic director David Fofi is one of the consistently finest directors in town. Timothy McNeil’s Supernova was singled out for a Scenie as one of The Twelve Best Plays Of The Year and McNeil’s performance in The Little Flower Of East Orange won him a Best Lead Actor Scenie. That’s why it’s disappointing to report that their latest collaboration as star, director, and writer/star of the pair of one-acts entitled The Boneyard and Talisman ended up not this reviewer’s cup of tea despite three excellent performances and Fofi’s sharp direction.
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THE REAL HOUSEKEEPERS OF STUDIO CITY


Divorced Studio City homemaker Ashley Tribbiani has a shot at being picked as one of TV’s Real Housewives Of Studio City. There’s only one problem. As any reality TV fan will tell you, a real Housewife needs to have a real Housekeeper, and with ex-hubby Joey seriously in arrears on his alimony and child support payments, Ashley has hardly been able to hire help since their split. Now, with her Real Housewives audition only an hour away, Ashley (Lani Shipman) and gay best friend Scot (Ryan O’Connor) have exactly sixty minutes to hire the best maid possible out of ten of TVland’s most famous housekeepers.

Fortunately, the Hollywood Fringe Festival has allotted precisely one hour for Joe Green, Heidi Powers, Tom Moore to debut their brand new musical The Real Housekeepers Of Studio City, and what a sixty-minute-musical gem it is.
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[title of show]

From Fringe Festival to Fringe Festival with a Broadway stop along the way is hardly the normal trajectory for a Hollywood Fringe Festival entry. Then again, [title of show] is not your average, run-of-the-mill Fringe entry, as Fringe Festivalgoers can now discover at the Hollywood Fringe, where Theatre Unleashed has unleashed a stripped-down-to-basics but highly entertaining [tos].
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NATALIE PORTMAN THE MUSICAL

NOT RECOMMENDED

Natalie Portman The Musical has arrived at the Hollywood Fringe Festival following last year’s successful run (and return engagement) at Chromolume Theatre At The Attic in what appears to be a considerably stripped-down-for-The-Fringe production.
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A MAN OF NO IMPORTANCE


Sometimes wishes do come true.

Back in September of last year, following a superb concert staged reading of Lynn Ahrens and Stephen Flaherty’s A Man Of No Importance, I ended my review with a wish: “Isn’t it time that A Man Of No Importance got a fully-staged L.A. production?”

Now, a mere nine months later, that wish comes true as director-choreographer extraordinaire Janet Miller and her new Good People Theater Company offer Los Angeles audiences that fully-staged A Man Of No Importance, as all-around perfect a production as this or any musical theater lover could possibly have wished for.
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