Posts Tagged ‘Geffen Playhouse’
RUTH DRAPER’S MONOLOGUES
Friday, April 18th, 2014
Four-time Academy Award nominee Annette Bening brings her movie-star glamour and a career-long commitment to the legitimate stage to the Geffen Playhouse in Ruth Draper’s Monologues, as captivating and deliciously performed a one-woman show as you’re likely to see all year.
HERSHEY FELDER IN ABE LINCOLN’S PIANO
Friday, January 10th, 2014NOT RECOMMENDED
Hershey Felder is back at the Geffen with his latest one-man show, Hershey Felder In Abe Lincoln’s Piano, and though Felder does treat the audience to a bit of Gershwin’s Rhapsody In Blue, unlike the smash hit Hershey Felder As George Gershwin Alone, the maestro’s latest may prove a hard sell to all but Felder fanatics.
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WAIT UNTIL DARK
Saturday, October 19th, 2013
Some plays simply cannot be updated to the 21st Century. Take for example Wait Until Dark, Frederick Knott’s classic 1966 thriller about a blind New York City newlywed targeted by a trio of thugs out to find the heroin-filled doll they believe to be hidden somewhere in the walk-down flat she shares with her photographer husband—a play entirely dependent on there being just one land-line phone in the apartment and a (now virtually non-existent) phone booth on a nearby corner.
That’s why, when I heard that playwright Jeffrey Hatcher was adapting Wait Until Dark for the Geffen Playhouse “in a new time/setting,” my first thought was “They must be kidding!” Then I found out that Hatcher was actually taking Knott’s thriller back in time to WWII New York City and that thought turned to “Wow! What a clever idea!” Not only a clever idea, it turns out, but one that proves as exiting in execution as in theory.
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RAPTURE, BLISTER, BURN
Friday, August 23rd, 2013
Pulitzer Prize-nominated playwright Gina Gionfriddo examines the changing roles of women from the pre-Betty Friedan 1950s to the post-post-Feminist now in Rapture, Blister, Burn—and if this sounds like a potentially dry (i.e. boring) way to spend a night at the theater, think again. I haven’t had a more exhilarating time with four fabulous women and one not-so-fabulous man in I don’t know how long.
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YES, PRIME MINISTER
Friday, June 14th, 2013
The country is England, the time is now, and the PM’s country house retreat Chequers is in crisis mode. The coalition government finds itself representing a divided electorate, the British Pound Sterling is waning in value, and an ongoing European Council conference seems headed for disaster. With all these problems and more on his table, what’s a Prime Minister to do?
In Antony Jay and Jonathan Lynn’s hilariously farcical Yes, Prime Minister (now getting its US Premiere at the Geffen Playhouse), the answer comes in the form of a potential ten-trillion dollar bailout from a former Soviet republic the authors have dubbed Kumranistan. All the PM has to do is provide the Kumranistani foreign secretary with a trio of call girls for a totally illegal (and immoral and unethical) sex orgy.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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