Posts Tagged ‘Geffen Playhouse’

MYSTERIOUS CIRCUMSTANCES

Truth is indeed stranger than fiction in Michael Mitnick’s time-traveling, mind-tripping look at the Mysterious Circumstances surrounding the still unsolved death of the world’s foremost Sherlock Holmes scholar.
(read more)

BLACK SUPER HERO MAGIC MAMA

Playwright Inda Craig-Galván puts a personal face on a national epidemic in Black Super Hero Magic Mama, a Geffen Playhouse that scores points for originality provided you’re a fan of Marvel/DC blockbusters.
(read more)

LIGHTS OUT: NAT “KING” COLE

The impending live broadcast of the 42nd and final episode of network TV’s first black-hosted variety show becomes an existential nightmare for its celebrated star in Colman Domingo and Patricia McGregor’s Lights Out: Nat “King” Cole, a Geffen Playhouse West Coast premiere not without its problems but one well worth catching, and not just for the drama-song-and-dance showcase it provides its triple-threat star Dulé Hill.
(read more)

CHARLES DICKENS’ A CHRISTMAS CAROL

A New York-based director, star, and production design team have joined forces to bring Charles Dickens’ A Christmas Carol to spectacular solo-performance life at the Geffen Playhouse.
(read more)

THE UNTRANSLATABLE SECRETS OF NIKKI CORONA

An intriguing premise and promising first act are sabotaged by a ridiculous post-intermission trek to the hereafter that bodes little to no regional theater afterlife for José Rivera’s The Untranslatable Secrets Of Nikki Corona, a Jo Bonney-directed Geffen Playhouse World Premiere.
(read more)

OUR VERY OWN CARLIN MCCULLOUGH

Amanda Peet takes a trio of characters we’ve seen before–a parent, a prodigiously talented child, and a dedicated coach–and weaves them together into the cliché-defying Our Very Own Carlin McCullough, as riveting a World Premiere as I’ve seen at the Geffen Playhouse, or just about anywhere else for that matter.
(read more)

SKELETON CREW

If Arthur Miller had written a play about auto workers facing the personal and professional consequences of a possible plant closure, it might have been Skeleton Crew, which is about the highest praise I can bestow upon Dominique Morisseau’s powerful blue-collar drama, now making a breathtakingly designed, directed, and performed Geffen Playhouse debut.

(read more)

SIGNIFICANT OTHER

The gay guy finally gets to be Julia Roberts (or Janeane Garofalo circa The Truth About Cats And Dogs) in Significant Other, Joshua Harmon’s smart, funny, bracingly sardonic romcom now getting a terrific East Coast-cast West Coast Premiere at the Geffen.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »