Posts Tagged ‘Geffen Playhouse’

THE ANTS

Ramiz Monsef’s horror play The Ants, now getting its World Premiere at the Geffen, has a gripping, suspenseful midsection. Its bizarre opening sequence and its even weirder, seemingly endless final scene are another matter.
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AVA: THE SECRET CONVERSATIONS


Elizabeth McGovern proves herself as accomplished a playwright as she is a gifted actress in Ava: The Secret Conversations, the Academy Award nominee’s fascinating look at the life and loves of screen goddess extraordinaire Ava Gardner.
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THE LONELY FEW

Tony-winning sensation Lauren Patten returns to SoCal theater as a queer musician trapped in smalltown Kentucky in The Lonely Few, a Geffen Playhouse World Premiere that shifts somewhat jarringly halfway through from a dramatic play interspersed with live rock club performances into a more traditional musical in which songs take the place of dialog.
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THE INHERITANCE (PART 1 & PART 2)


The words Epic Achievement only begin to describe the Stephen Daldry production of Matthew Lopez’s six-and-a-half-hour masterpiece The Inheritance (Part 1 & Part 2), now getting its long-awaited, celebration-worthy West Coast Premiere at the Geffen Playhouse.
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KING LIZ


Broadway star Sabrina Sloan sizzles as a powerhouse A-list sports agent named Liz Rico, and newcomer Evan Morris Reiser electrifies as a high school grad with NBA superstar potential, in Fernanda Coppel’s off-Broadway dramedy King Liz, now getting a largely absorbing Los Angeles Premiere at the Geffen Playhouse.
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TRAYF


Jewish teen besties find both their Orthodox convictions and their lifelong friendship tested in 1991 New York City in Lindsay Joelle’s TRAYF, the entertaining, enlightening, thought-provoking latest from The Geffen Playhouse.
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POWER OF SAIL


The consequences are catastrophic when a respected Ivy League professor invites an infamous white nationalist to speak at Harvard in Paul Grellong’s Power Of Sail, a powerhouse Geffen Playhouse West Coast Premiere sure to have audiences talking long after the lights go out, and not just because of Bryan Cranston’s riveting lead performance and Amy Brenneman’s fiery featured turn.
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PARADISE BLUE


A nightclub owner haunted by a lifetime of demons meets a woman who spells “trouble” with a capital T in Dominique Morisseau’s Paradise Blue, the kind of noir Hollywood could have made back in the late 1940s but didn’t, an explosive West Coast Premiere at the Geffen.
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