FLOYD COLLINS

In the early days of 1925, decades before Baby Jessica and O.J. and Monica Lewinsky and Nancy & Tonya and Watergate and Laci Peterson and Patty Hearst and Jon Benet and Octomom and Iran Contra and countless other 20th Century media circuses, a young Kentucky cave explorer named Floyd Collins became trapped in a narrow crawlway over fifty feet underground. Efforts to rescue him ignited a media frenzy, aided and abetted by the recent advent of broadcast radio that helped spread the news across the country.

Inspired by the two-week-long efforts to save Collins from a subterranean grave (and the carnival atmosphere that surrounded the rescue mission), Adam Guettel and Tina Landau wrote the 1996 Lucille Lortel/Obie Award-winning Floyd Collins, one of the most powerful musicals of the past two decades and one which La Mirada Theatre For The Performing Arts has now given an intimate “ONSTAGE” production that proves a brilliant follow-up to last year’s smash Spring Awakening.
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Tags: Adam Guettel, Floyd Collins, La Mirada Theatre, Los Angeles Theater Review
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