Posts Tagged ‘Echo Theater Company’

ASCENSION

D.G. Watson’s trippy Ascension may run a good fifteen minutes too long and leave an audience wondering what on earth this “immersive, interactive, sci-fi mystery thriller” was all about, but the Echo Theater Company World Premiere is nothing if not different, and a terrific showcase for its designers.
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HANDJOB

Credibility is strained and logic defied throughout a big chunk of Erik Patterson’s Handjob, an otherwise provocative, sensationally performed Echo Theater Company World Premiere.
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THE WOLVES

Echo Theater Company has not only scored a major coup in snagging the Los Angeles Premiere rights to Sarah DeLappe’s 2017 Pulitzer Prize finalist The Wolves, the extraordinary production Echo has mounted of DeLappe’s Altmanesque eavesdropping on six Saturdays of teen-girl soccer warmups will surely be remembered as one of 2019’s best.
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GLORIA

The office banter amongst the millennials who toil for a New Yorker-style magazine in Branden Jacobs-Jenkins’s Gloria may be catty, querulous, gossipy, back-stabbing, and hilarious as all get-out, but the 33-year-old playwright has far more than edgy cable sitcom humor on his mind in his 2015 off-Broadway hit, a ripped-from-today’s-headlines gut-puncher of an Echo Theater Company West Coast Premiere.
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WHAT HAPPENED WHEN

Pitch-perfect casting makes a world of difference in the return engagement of Daniel Talbott’s haunting memory play What Happened When, an Echo Theater Company midweek gem.
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CRY IT OUT

You don’t have to be a stay-at-home nursing mom to fall in love with Molly Smith Metzler’s Cry It Out, but if you are, this one’s especially for you, and it’s about time.
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WHAT HAPPENED WHEN

The survivor of a horrific childhood is visited by ghosts of his dark and desolate past in Daniel Talbott’s memory play What Happened When, now getting an exquisitely designed Echo Theater Company West Coast Premiere unfortunately made more cryptic than already written by one bad casting choice.
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AN UNDIVIDED HEART

Pedophile Catholic priests and toxic waste-dumping chemical plants form the backdrop of Yusuf Toropov’s An Undivided Heart, a Circle X. Theatre Co./Echo Theater Company World Premiere that despite occasional tonal inconsistency and lack of clarity proves a powerful indictment of church-and-corporation-sanctioned abuse.
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