Posts Tagged ‘East West Players’

ASSASSINS


Presidential killers and would-be killers take center stage at East West Players in Assassins, Stephen Sondheim at his most provocative, innovative, and engrossing.
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THE GREAT LEAP

Two of L.A.’s premier regional theaters join forces to give Lauren Yee’s The Great Leap as unforgettable a production as Pasadena Playhouse and East West Players have presented in years.
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HANNAH AND THE DREAD GAZEBO

Magic realism has never been my thing, and since Hannah And The Dread Gazebo relies on an abundance of it to tell the story of a 30something Korean-American’s visit to her parents’ homeland, I ended up unengaged by Jiehae Park’s overly fanciful comedy despite some terrific performances and a dazzling production design.
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MAMMA MIA!

An all-POC cast (primarily Asian, significantly Filipino), inspired direction, electrifying choreography, and the most gorgeous of production designs breathe fresh new life into East West Players’ thrillingly trailblazing Mamma Mia!, the all-around best of the many MM!s I’ve seen.
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MAN OF GOD

The discovery of a spy cam pointing up from inside the hotel bathroom toilet of four Korean-American teens on a mission trip to Thailand sets in motion a wild and unexpected chain of events in Anna Moench’s Man Of God, an East West Players World Premiere as funny, dramatic, and edge-of-your-seat gripping as it is a timely reminder that there are no age restrictions where the #metoo movement is concerned.
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VIETGONE

Romantic comedy lovers are in for a treat as a couple of Vietnamese evacuees in an Arkansas refugee camp circa 1975 fall reluctantly in love in Qui Nguyen’s Vietgone, one of East West Players’ all-around best productions in years.
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AS WE BABBLE ON

Millennials get their turn in the East West Players spotlight in Nathan Ramos’s World Premiere comedy As We Babble On, a crowd-pleasing Asian-American take on Friends with more than just laughter on its mind.
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ALLEGIANCE

Allegiance has arrived at Little Tokyo’s Aritani Theatre, and if the feel-good Broadway musical about the forced internment of 70,000 American citizens and another 40,000 longtime U.S. residents tries too hard to be a crowd-pleaser in ways that the similarly fact-based Parade and The Scottsboro Boys did not, its East West Players debut is if nothing else a splendidly performed (and refreshingly homegrown) Los Angeles Premiere that scores bonus points for the light it sheds on a dark stain in American history.
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