Posts Tagged ‘East West Players’

PARANORMAL INSIDE


Ghostbusting duo Max and Delia are back for more creepy, kooky, mysterious, and spooky thrills in Paranormal Inside, Prince Gomolivas’s just-in-time-for-Halloween follow-up to his 2022 East West Players hit The Brothers Paranormal.
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YANKEE DAWG YOU DIE

Kelvin Han Yee and Daniel J. Kim are on fire in East West Players’ 37th-anniversary revival of Yankee Dawg You Die, Philip Kan Gotanda’s look at Asian-American representation on stage and screen, at how it has changed since the days of Anna May Wong and Sessue Hayakawa, and at the changes that remained to be made in 1988 … and still do in 2025.

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PACIFIC OVERTURES


Stephen Sondheim fans could not wish for a more spectacular pick-me-up from post-election blues than East West Players’ Broadway-couldn’t-do-it-better production of Sondheim and John Weidman’s rarely-revived 1976 classic Pacific Overtures.
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UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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KAIROS


What starts off a meet-cute romcom ends up something a good deal more thought-provoking and profound in Kairos, Lisa Sanaye Dring’s intriguing examination of love, life, and the search for eternal youth, now getting a terrifically acted East West Players’ World Premiere.
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SPRING AWAKENING


Director Tim Dang, choreographer Preston Mui, an all-around sensational cast, and a stunning production design make East West Players’ Spring Awakening a standout among the umpteen productions I’ve seen so far.
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TACOS LA BROOKLYN


A 20something Korean-American taco stand owner finds himself on the receiving end of a Chicana influencer’s social media campaign against gentrification in Joel Ulloa’s hilarious, conversation-starting culture-clash comedy Tacos La Brooklyn, thrillingly staged at the Los Angeles Theatre Center by Latino Theater Company in association with East West Players.
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ON THIS SIDE OF THE WORLD

The performances are sparkling, the melodies are tuneful, and the show’s heart is in the right place, but without a plot, dialog, or interconnected characters to keep an audience spellbound, a nearly two-and-a-half-hour running time is much too long for a song cycle like Paulo K Tiról and Noam Shapiro’s On This Side Of The World.
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