Posts Tagged ‘City Garage’

UNCLE VANYA


Neil LaBute gives Anton Chekhov’s Uncle Vanya a more contemporary-sounding tweak in the Tony nominated playwright’s third visit to Santa Monica’s City Garage Theatre, and the result is a Vanya that even Chekhov “non-fans” like this reviewer can enjoy.
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BORDER CRISIS

Considering how much of what’s coming out of Washington DC these days seems like théâtre de l’absurde, the time could hardly be riper for City Garage to debut Charles A. Duncombe’s absurdist comedy Border Crisis, though in the case of this contemporary adaptation of a 1967 Polish play, excellent intentions yield less than successful results.
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ANTIGONE


Neil LaBute puts a 21st-century spin on French playwright Jean Anouilh’s 1944 adaptation of Sophocles’ classic Greek tragedy Antigone, itself a thinly veiled attack on the Nazi-allied Vichy government that controlled Paris during World War II, in the compelling, thought-provoking latest from City Garage.
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THE HOMECOMING


An outsider’s arrival upsets the delicate balance that has until now preserved the status quo inside a vipers’ nest of a family home in Harold Pinter’s 20th-century classic The Homecoming, the provocative latest from City Garage.
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I WANT A COUNTRY


Eleven characters in search of a land they can call home meet a director with a singular vision in Greek playwright Andreas Flourakis’s remarkably topical I Want A Country, the latest from City Garage Theatre.
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IF I NEEDED SOMEONE


Drunken hookups aren’t what they used to be, at least according to Neil LaBute in his undeniably provocative, bitingly funny, and potentially button-pushing World Premiere two-hander If I Needed Someone at Santa Monica’s City Garage Theatre.
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THE BALD SOPRANO

Romanian-French playwright Eugène Ionesco invented a whole new genre of comedy back in 1950 with his théâtre de l’absurde ground-breaker The Bald Soprano, and if its 2024 City Garage revival is still rough around the edges as of opening weekend, there remains plenty to entertain an audience.
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BETRAYAL


The aftermath of Harold Pinter’s seven-year love affair with the wife of a close friend serves as point of departure for his 1978 three-hander Betrayal, the fascinating latest from City Garage.
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