Posts Tagged ‘City Garage’
IF I NEEDED SOMEONE
Tuesday, August 6th, 2024
Drunken hookups aren’t what they used to be, at least according to Neil LaBute in his undeniably provocative, bitingly funny, and potentially button-pushing World Premiere two-hander If I Needed Someone at Santa Monica’s City Garage Theatre.
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THE BALD SOPRANO
Monday, April 29th, 2024Romanian-French playwright Eugène Ionesco invented a whole new genre of comedy back in 1950 with his théâtre de l’absurde ground-breaker The Bald Soprano, and if its 2024 City Garage revival is still rough around the edges as of opening weekend, there remains plenty to entertain an audience.
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BETRAYAL
Tuesday, February 13th, 2024
The aftermath of Harold Pinter’s seven-year love affair with the wife of a close friend serves as point of departure for his 1978 three-hander Betrayal, the fascinating latest from City Garage.
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INSULTED. BELARUS
Tuesday, November 21st, 2023
A nation’s failed efforts to unseat one of the world’s most reviled dictators comes to stunning, gut-punching life in City Garage Theatre’s English-language World Premiere of Andrei Kureichik’s Insulted. Belarus, an eye-opener to those like myself who knew little to nothing about recent events in Europe’s 13th largest country.
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CARDENIO
Monday, March 13th, 2023Art imitates life as Stephen Greenblatt and Charles L. Mee imitate Shakespeare (albeit in contemporary prose) in Cardenio, and while the playwriting duo’s take on the Bard’s mismatched-lovers comedies is a bit hit-and-miss, its City Garage debut is nothing if not a feast for the eyes.
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BEACH PEOPLE
Sunday, August 14th, 2022
A quartet of sunbathers philosophize on the sand in Charles A. Duncombe’s absurdist existential comedy Beach People, a City Garage World Premiere impressively acted by a skin-revealing cast of four.
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CARMEN DISRUPTION
Sunday, September 10th, 2017Prolific British playwright Simon Stephens goes avant-garde in Carmen Disruption, meaning that no matter how much you may have loved the edgy realism of Punk Rock or the captivating whimsy of Heisenberg or the utter magic of his stage adaptation of Mark Haddon’s The Curious Incident Of The Dog In The Night-Time, you may well find his artsy 2015 take on Bizet a good deal less engaging.
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