Posts Tagged ‘Cerritos Center For The Performing Arts’
NEWSIES
Sunday, May 15th, 2022
3-D Theatricals is back in business doing what it does best, treating audiences of all ages to Broadway-caliber productions like Newsies The Musical, now wowing audiences at the Cerritos Center For The Performing Arts.
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KINKY BOOTS
Sunday, February 16th, 2020Things are getting kinky over in Cerritos as 3-D Theatricals treats SoCal audiences to a sensational first L.A. regional staging of the crowd-pleasing, transformative, emotional-punch-packing 2013 Tony–winning Best Musical Kinky Boots.
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SHREK THE MUSICAL
Sunday, August 11th, 2019The big green ogre made famous by Dreamworks Animation is back on stage as 3-D Theatricals revives its 2013 smash, the irresistibly crowd-pleasing Shrek The Musical.
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A GENTLEMAN’S GUIDE TO LOVE AND MURDER
Monday, February 18th, 2019A Gentleman’s Guide To Love And Murder, the homicidally hilarious quadruple-Tony-winning Best Musical of 2014, now fills the Cerritos Center For The Performing Arts with murderous mirth as the latest Broadway-caliber regional premiere from 3-D Theatricals.
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MILLION DOLLAR QUARTET
Monday, February 19th, 2018The excitement never lags as Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins take centerstage in Million Dollar Quartet, Tony-nominated as Best Musical of 2010 and the latest from 3-D Theatricals, a rock-and-roll crowd-pleaser for ages eight to eighty-nine.
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JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT
Sunday, October 2nd, 2016Cecil B. DeMille meets Vegas meets pop-rock at its most eclectic in Broadway superstar-turned-director Marc Kudisch’s endlessly entertaining retelling of Lord Andrew Lloyd Webber’s very first hit musical, and if you think you’ve seen Joseph And The Amazing Technicolor Dreamcoat before, think again. You’ve never seen one quite like 3-D Theatricals’ stand-up-and-cheer 2016-2017 season opener.
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RAGTIME
Sunday, April 3rd, 2016The Ragtime revival currently touring the U.S. may not be the already trimmed-down Marcia Milgrom Dodge-version that scored the director-choreographer a 2010 Tony nomination. (The non-Equity cast is even smaller by 25%, the creative team behind its much scaled-down production design is new for the tour, and Lynn Ahrens and Stephen Flaherty’s songs are performed to prerecorded tracks.) Nonetheless, under Dodge’s inspired hand, this Ragtime turns out to be every bit as powerful as any of the half-dozen I’ve now seen.
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