Posts Tagged ‘Center Theatre Group’
FAILURE: A LOVE STORY
Monday, April 17th, 2017
Center Theatre Group opens Block Party, its three-play salute to the best of Los Angeles intimate theater, with an exquisitely expanded Kirk Douglas Theatre staging of Coeurage Theatre Company’s multiple-award-winning Failure: A Love Story, Philip Dawkins’ whimsical meditation on the fragility of life and the resiliency of those who live it.
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FUN HOME
Thursday, February 23rd, 2017
Coming of age. Coming out. Coming to grips. Three extraordinary actresses breathe life into a young lesbian’s journey from childhood to mid-life in Alison Bechdel’s graphic memoir-turned-Tony-winning musical Fun Home, now making a thrilling Los Angeles debut at the Ahmanson.
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ZOOT SUIT
Tuesday, February 14th, 2017
Downtown Los Angeles explodes with music, dance, and dramatic fireworks as the Mark Taper Forum celebrates its 50th-Anniversary Season with a spectacular, timelier-than-ever revival of Luis Valdez’s legendary Zoot Suit.
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AMÉLIE, A NEW MUSICAL
Monday, December 19th, 2016
Romance and whimsy reign supreme at the Ahmanson Theatre this holiday season as the century’s most popular French movie heroine takes center stage in Amélie, A New Musical, a Southern California Premiere blessed by a tuneful (and virtually nonstop) score, entrancing performances (including a beguiling star turn by Hamilton star Phillipa Soo), and a magical production design unlike anything I’ve seen before. Give Amélie, A New Musical some judicious book tweaking and it could well prove a Broadway winner in 2017.
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VICUÑA
Monday, October 31st, 2016
A $110,000 vicuña wool suit may be all that stands between business tycoon-turned-reality TV host-turned Republican Presidential nominee Kurt Seaman and the White House in Jon Robin Baitz’s ripped-from-today’s-headlines Vicuña, a Kirk Douglas Theatre World Premiere drama that proves as hilarious as it is gripping and talk-provoking.
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A VIEW FROM THE BRIDGE
Thursday, September 15th, 2016Arthur Miller’s A View From The Bridge, this year’s Best Revival Tony winner, has arrived at the Ahmanson in a production likely to leave audience opinion split between “brilliantly innovative” and “pretentiously boring.” Though it took me a while to get there, I ended up veering towards the former point of view. Still, unless you’re lucky enough to be sitting either onstage (an option here) or up close (if you’ve got the bucks), the Ahmanson proves far too large a venue for a production as intimate as this one.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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