Posts Tagged ‘Celebration Theatre’

PRISCILLA, QUEEN OF THE DESERT

Two-dozen disco-era hits provide the sing-along, dance-along soundtrack to the international smash Priscilla, Queen Of The Desert, and if the latest from Celebration Theatre doesn’t lend itself to downsizing like The Boy From Oz and The Color Purple, this unexpected celebration of family and its three unlikely Australian hero(in)es provide more than enough reason to cheer.
(read more)

DIE, MOMMIE, DIE!


Silver screen goddess Angela Arden lives again in Celebration Theatre’s hilariously over-the-top revival of Die, Mommie, Die!, Charles Busch’s affectionately acidic tribute to the bevy of fading female icons who made their last defiant stand in 1960s La La Land.
(read more)

CHARM

Edward J. Olmos’s Jaime Escalante did it in Stand And Deliver. Michelle Pfeiffer’s Louanne Johnson did it in Dangerous Minds. Sidney Poitier’s Mark Thackery did it in To Sir With Love. And now Lana Houston’s Mama Darleena Andrews does it in Charm, transforming the lives of a classroomful of rebellious teens, only this time round the teacher in question is a transgender sexagenerian and her students an unruly bunch of homeless LGBT teens. Talk about a setup for an edgy, funny, and (you guessed it) heartstrings-tugging crowd-pleaser, the latest all-around winner from Celebration Theatre.
(read more)

THE BOY FROM OZ

Australian entertainment legend Peter Allen lives again as Celebration Theatre treats SoCal audiences to the long-awaited West Coast Premiere of the 2003 Broadway smash The Boy From Oz, the most all-around sensational L.A. intimate-theater musical I’ve seen since the Celebration’s award-sweeping The Color Purple four years back.
(read more)

DREAM BOY

Nine years after a pair of gay teen boys fell unforgettably into first love in Jonathan Harvey’s Beautiful Thing, Celebration Theatre and director Michael Matthews reunite for the similarly themed (albeit considerably darker) Dream Boy, Eric Rosen’s meticulously faithful adaptation of Jim Grimsley’s haunting Southern Gothic novel, an imaginatively directed, superbly performed, gorgeously designed Los Angeles Premiere marred only by poor sightlines that will often have you craning to see the action.
(read more)

BOOTY CANDY

Growing up gay and black serves as the point of departure for Robert O’Hara’s hilarious, daring, provocative bunch of one-acts collectively titled Booty Candy, the latest from Celebration Theatre and the first in their spiffy new LGBT Center-adjacent digs at Hollywood’s Lex Theatre.
(read more)

THE MAX FACTOR FACTOR

Secretly gay 1930s film star Lance Grant falls head-over-heels for the equally famous—and equally closeted—Hoyt Baxter in Adrian Bewley, Joe Blodgett, and Chana Wise’s delightful new musical The Max Factor Factor, a fortuitous first collaboration between New Musicals Inc. and Celebration Theatre.
(read more)

THE HOMOSEXUALS


The flamboyant theater queen who lives to rag on this year’s Tony winners. The average-looking all-around good gay who’s everybody’s best friend and nobody’s boyfriend. The foreign-born charmer living with HIV—though no longer with his (married-her-for-a-green-card) wife. The small-town boy whose move to the big city has meant making gay friends—and a new life he could never have had back home.

We’ve seen these gay men, or gay men like them, on stage before, most notably in the pre-Stonewall world of Mart Crowley’s The Boys In The Band and in the AIDS-crisis world of Terrence McNally’s Love! Valour! Compassion!

Now, young Chicago playwright Philip Dawkins brings these gay archetypes into the 21st Century in his 2011 Jefferson Award-nominated dramedy The Homosexuals, now being given a couldn’t-be-better West Coast Premiere by Celebration Theatre.

(read more)

Newer Entries » Newer Entries »