Posts Tagged ‘Cabrillo Music Theatre’
MEMPHIS
Saturday, November 15th, 2014Todd Adamson gives one of the year’s truly great performances as DJ Huey Calhoun opposite a sensational SoCal-debuting Lakeisha Renee Houston as star-to-be Felicia Farrell in Cabrillo Music Theatre’s Regional Premiere of Memphis, the fact-inspired tale of a Tennessee disc jockey who made history by daring to play “race music” on white radio back in the still-segregated 1950s.
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BYE BYE BIRDIE
Saturday, July 19th, 2014Cabrillo Music Theatre revives the 1960 Broadway classic Bye Bye Birdie with a now almost unheard-of cast of more than sixty, and though this is one Birdie that doesn’t say “Bye Bye” till two hours and fifty-five minutes after the first note of its Overture, the all-around sensational revival provides proof positive why theater lovers and local businesses must rally behind the endangered Southland musical theater mainstay that is Cabrillo. To paraphrase Irving Berlin, there’s no musical theater in Ventura County like Cabrillo Music Theater.
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IN THE HEIGHTS
Saturday, March 29th, 2014The Tony-winning Best Musical of 2008 with its original Tony-winning choreography and orchestrations, its original Tony-nominated Broadway scenic and costume designs, and a cast of some of Southern California’s finest triple-threats… All of this adds up to the very first Broadway-scale L.A.-adjacent regional production of Lin-Manuel Miranda and Quiara Alegría Hudes’s In The Heights, one of the finest Cabrillo Music Theatre productions ever.
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KISS ME KATE
Saturday, October 19th, 2013
It’s been six-and-a-half decades since William Shakespeare met Cole Porter in Kiss Me Kate, though with director extraordinaire Richard Israel in the driver’s seat, Cabrillo Music Theatre’s 2013 revival of the Tony Award-winning 1948 Broadway smash feels fresh and alive and gay and young for all its years.
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LEGALLY BLONDE
Saturday, July 20th, 2013
Cabrillo Music Theatre now treats Ventura County residents (and SoCal musical theater lovers farther afield) to a sensational staging of Legally Blonde, 2005’s textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect musical comedy, particularly as directed at Cabrillo with assurance and flair by Legally Blonde Broadway vet Tiffany Engen.
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