Posts Tagged ‘Atwater Village Theatre’

BLISS (or Emily Post is Dead!)

Clementine, Maddy, and Antonia are women on the verge of a nervous breakdown in North Orange, New Jersey circa 1960 in Jami Brandli’s BLISS (or Emily Post is Dead!). That they’re also Clytemnestra, Medea, and Antigone reincarnated is one reason Brandli’s take on mid-20th-century suburbia works considerably less well than it would if she had stuck to satire. The other is the play’s two-and-a-half-hour running time.
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I GO SOMEWHERE ELSE

An emotionally abusive childhood provides the backstory to the celebration of survival that is Inda Craig-Galván’s memory play I Go Somewhere Else, a playwrights’ Arena World Premiere as superbly acted as it is strikingly designed. If only it were easier to figure out who’s who and what’s what.
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deLEARious

deLEARious, Phil Swann and Ron West’s deliciously clever, delightfully tuneful musical within a musical within a musical is back for a 9th-anniversary Open Fist Theatre Company revival guaranteed to tickle musical theater buffs and Shakespeare aficionados alike.
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WALKING TO BUCHENWALD

An intergenerational trek across Europe turns a good deal darker than the lighthearted family road trip it initially promises to be in the Open Fist Theatre Company’s World Premiere Walking To Buchenwald, the funny, impactful latest from the endlessly self-reinventing Tom Jacobson.
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BILLY BOY

An unexpected sexual encounter with a former high school girlfriend sends a 60ish gay man and a pair of long-dead ghosts on a trip down memory lane in Nick Salamone’s Billy Boy, a Playwrights Arena World Premiere that starts out promisingly enough before veering off into the Twilight Zone.
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SPECIES NATIVE TO CALIFORNIA

Imagine if Chekhov had set The Cherry Orchard in 21st-century Mendocino County and you’ve got Dorothy Fortenberry’s Species Native To California, am IAMA Theatre Company World Premiere dramedy that proves that every good story is worth a good retelling.
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THE FOUND DOG RIBBON DANCE

Only the lonely populate The Found Dog Ribbon Dance, but don’t let that fool you into thinking that Dominic Finocchiaro’s wondrous World Premiere is anywhere near a downer. On the contrary, the latest from Echo Theater Company is precisely the kind of play you’ll want to tell all your romcom-loving friends (and just about anyone else in search of smart, funny, heartstrings-tugging, feel-good new theater) not to miss.
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BLOODLETTING

A Filipino-American brother and sister’s pilgrimage to their recently deceased father’s birthplace takes a supernatural turn in Boni B. Alvarez’s Bloodletting, a Playwrights’ Arena World Premiere that could appeal to fans of the occult who don’t mind spending seventy-five minutes with a couple of rather obnoxious siblings.
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