Posts Tagged ‘Anton Chekhov’

THE SEAGULL

A TV-star-studded guest production at the Odyssey Theater does a mostly terrific job of reminding audiences that Anton Chekhov’s The Seagull is, as its author steadfastly maintained, a comedy, but falls short of that goal in the play’s downer of a final act.
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THREE

If you’re a die-hard Chekhov fan, Nick Salamone’s 20th/21st-century “queer meditation” on the Russian playwright’s 124-year-old classic Three Sisters, a Playwrights’ Arena/Los Angeles LGBT Center World Premiere, will likely be more up your alley than it was mine.
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LIFE SUCKS


Uncle Vanya has probably never made audiences laugh as loudly and as often as he and his fellow Chekhovians do in Aaron Posner’s Life Sucks, the Stupid F***ing Bird playwright’s contemporary take on a 124-year-old Russian classic, now getting a fabulous Interact Theatre Company Los Angeles Premiere at the Broadwater Mainstage.
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STRONG ARM

Taking as his inspiration Anton Chekhov’s The Seagull, playwright Wyn Moreno has created a contemporary dysfunctional family dramedy that stands tall on its own merits in Strong Arm, the World Premiere latest from Orange County’s The Wayward Artist.
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NICKY

Chekhov’s melancholy antihero Nikolai Ivanov is alive and well and living unhappily ever after in today’s Palm Springs as Nicky, the titular protagonist of Boni B. Alvarez’s rewardingly adventurous reinvention of a late-19th-century Russian classic.
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SPECIES NATIVE TO CALIFORNIA

Imagine if Chekhov had set The Cherry Orchard in 21st-century Mendocino County and you’ve got Dorothy Fortenberry’s Species Native To California, am IAMA Theatre Company World Premiere dramedy that proves that every good story is worth a good retelling.
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STUPID FUCKING BIRD

San Diegans can rejoice at the arrival of Aaron Posner’s supremely theatrical, deliciously meta, hilariously scabrous take on Anton Chekhov’s The Seagull. As for Angelinos who missed Stupid Fucking Bird at The Theatre @ Boston Court a couple years back, or who simply want the chance to re-experience it with exhilaratingly fresh direction and a daringly diverse cast, Cygnet Theatre is just a road trip away.
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UNCLE VANYA

You know from the moment Ilya Ilych Telegin, aka “Waffles,” starts the show off by singing and strumming along to Marvin Etzioni’s “The Mandolin Man” that The Antaeus Company’s West Coast Premiere of Annie Baker’s Drama Desk Award-winning adaptation of Anton Chekhov’s Uncle Vanya isn’t going to be like any Vanya (or perhaps any Chekhov) you’ve seen, and though I remain ambivalent about the talky Russian playwright, when the Anateus revival takes flight, it soars.
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