Posts Tagged ‘Ahmanson Theatre’

THE RED SHOES


Matthew Bourne makes another triumphant return to the Ahmanson Theatre with his latest feat of dance brilliance, the American Premiere of The Red Shoes, Sir Matthew’s breathtakingly imaginative reinvention of the British film classic that made Moira Shearer a star.
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JERSEY BOYS

Mark Ballas shows off Frankie Valli vocals to match his Dancing With The Stars footwork as Jersey Boys, the 12th-longest-running show in Broadway history, arrives at the Ahmanson Theatre to dazzle audiences with its true-life story of pop legends The Four Seasons (plus a few dozen Top Forty smashes thrown in for zing).
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INTO THE WOODS

Revivals don’t come any more thrillingly imaginative than Fiasco Theater’s brilliantly re-imagined Into The Woods, now paying a visit to the Ahmanson Theatre in a production no musical theater lover will want to miss.
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FUN HOME

Coming of age. Coming out. Coming to grips. Three extraordinary actresses breathe life into a young lesbian’s journey from childhood to mid-life in Alison Bechdel’s graphic memoir-turned-Tony-winning musical Fun Home, now making a thrilling Los Angeles debut at the Ahmanson.
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AMÉLIE, A NEW MUSICAL

Romance and whimsy reign supreme at the Ahmanson Theatre this holiday season as the century’s most popular French movie heroine takes center stage in Amélie, A New Musical, a Southern California Premiere blessed by a tuneful (and virtually nonstop) score, entrancing performances (including a beguiling star turn by Hamilton star Phillipa Soo), and a magical production design unlike anything I’ve seen before. Give Amélie, A New Musical some judicious book tweaking and it could well prove a Broadway winner in 2017.
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A VIEW FROM THE BRIDGE

Arthur Miller’s A View From The Bridge, this year’s Best Revival Tony winner, has arrived at the Ahmanson in a production likely to leave audience opinion split between “brilliantly innovative” and “pretentiously boring.” Though it took me a while to get there, I ended up veering towards the former point of view. Still, unless you’re lucky enough to be sitting either onstage (an option here) or up close (if you’ve got the bucks), the Ahmanson proves far too large a venue for a production as intimate as this one.
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