Posts Tagged ‘Ahmanson Theatre’

HADESTOWN


Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
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EVERYBODY’S TALKING ABOUT JAMIE


Everybody’s Talking About Jamie, the feel-fabulous West End musical hit, has arrived in Los Angeles, an across-the-pond stop in its 2022 UK tour that’s worthy of an all-out L.A. celebration.
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A CHRISTMAS CAROL


No matter how many A Christmas Carols you’ve sat through (whether voluntarily or under family duress), the multiple-Tony-winning production whose National Tour marks the grand reopening of the Ahmanson Theater is likely to be the most wildly imaginative, profoundly moving A Christmas Carol you’ve ever seen, or ever will see, performed live on stage.
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THE BOOK OF MORMON

It’s taken eight years of touring the U.S. for The Book Of Mormon to pay its first visit to the Ahmanson, but the 2011 Best Musical Tony winner’s distinctive mix of raunch, romance, hilarity, and heart make it a show worth waiting for as it continues to pack them in NYC.
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THE LAST SHIP

Sting celebrates his working-class Northern English roots in The Last Ship, the pop superstar’s gloriously scored-and-sung new(ish) musical, now bringing Ahmanson audiences to their feet.
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MATTHEW BOURNE’S SWAN LAKE

Choreographer extraordinaire Matthew Bourne returns to the Ahmanson with his thrillingly original take on Swan Lake, the Tchaikovsky ballet that first put Bourne’s name on the dance map in the 1990s with its stageful of bare-chested male swans and the handsome prince who found himself smitten with their seductive leader.
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THE NEW ONE

Stand-up comedy at the Ahmanson? Say what?

Now before you rush to judgment, be aware that the stand-up comic in question is actor-director-producer-writer Mike Birbiglia and The New One, the show he’s now touring the country with, comes direct from a successful run on Broadway no less. In other words, if you can afford $35 to $145 per ticket, you won’t find eighty more entertaining, relatable, ultimately powerful minutes of solo-performance theater in town.
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LATIN HISTORY FOR MORONS

If John Leguizamo’s Latin History For Morons sounds like it’s going to be nothing more than a light-hearted accumulation of dates and names and facts we all ought to know but don’t, think again. Though Leguizamo’s one-man show is indeed as funny and elucidating as any theater-going moron could wish for, it’s also a justifiably rage-filled attack on those who’d rather see his people erased not just from history books (as they already are) but from America itself.
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