CARRIE THE MUSICAL

Director Nick DeGruccio amps up the horror movie thrills at UCLA as two-dozen of the most talented musical theater up-and-comers in town give Carrie The Musical as exciting a big-stage production as any scary-musical buff could possibly wish for.
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posted in Musical, Theater Review, West Side/Beverly HIlls, WOW!

LES BLANCS

Mid-20th-century colonial Africa serves as a metaphor for the then ongoing American civil rights movement in Lorraine Hansberry’s rarely produced posthumous epic Les Blancs, a Rogue Machine revival that transcends the play’s inherent didacticism to electrifying effect.
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posted in Drama, Hollywood/West Hollywood, Theater Review, WOW!

HOLD THESE TRUTHS

The time could not be riper for Jeanne Sakata’s Hold These Truths to make its powerful, compelling, inspiring Pasadena Playhouse debut, the extraordinary tale of one American’s fight for his inalienable rights at a time when his own government wished to deny them.
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posted in Drama, Pasadena, Solo Performance, Theater Review, WOW!

THE LAST BREAKFAST CLUB

Imagine John Hughes’ archetypal Brain, Athlete, Basket Case, Princess, and Criminal performing twenty or so ‘80s hits to a live band inside the Shermer High School library as the only kids left in “an apocalypse of nuclear zombies” and you’ve got The Last Breakfast Club, the latest from Rockwell Table And Stage and the ab-fab first in a series of The Fuse Project musical movie spoofs.
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posted in Los Angeles, Musical Spoof, Theater Review, WOW!

DOGFIGHT

It’s taken five years for Dogfight, the Louise Lortel Award-winning Outstanding Musical of 2012, to finally make it to Los Angeles proper, and praise be the gods of L.A. musical theater, Dogfight’s Hudson Mainstage debut is (to quote from one of the show’s best songs) “Nothing Short Of Wonderful.”
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posted in Hollywood/West Hollywood, Musical, Theater Review, WOW!

SEPARATE TABLES

Following their superb 2014 revival of Terence Rattigan’s WWII-era Flare Path, Theatre 40 returns to Rattigan territory with a less successful Separate Tables, the mid-twentieth-century English playwright’s pair of one-acts whose second half crosses the line from period piece to uncomfortably dated.
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posted in Drama, Theater Review, West Side/Beverly HIlls

THE BODYGUARD

Over a dozen of Whitney Houston’s Greatest Hits performed by an electrifying Deborah Cox in the screen-to-stage tale of a superstar pop diva and her obsessed, life-threatening stalker may not be great art. Indeed, it’s not even a traditional song-propelled musical per se. But no matter. I enjoyed just about every minute of The Bodyguard, the West End smash now touring the U.S.A. and stopping this week and next at the Segerstrom Center For The Arts.
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posted in Musical, National Tour, Orange County, Theater Review, WOW!

SHOCKHEADED PETER

Bizarre, demented, disturbing, ghoulish, grotesque, gruesome, macabre, nightmarish, twisted, warped, and wickedly funny, Cygnet Theatre’s Shockheaded Peter is a stunningly designed musical treat filled with hilariously over-the-top characters and weirdly infectious tunes that will make any child (no matter how aged) think twice about misbehaving.
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posted in Musical, San Diego County, Theater Review, WOW!

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