BEAST ON THE MOON

Richard Kalinsoki’s Beast On The Moon may have been performed in over twenty countries and translated into nineteen languages, but its latest incarnation at International City Theatre reveals flaws both in the play itself and in the production now on stage in Long Beach.
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posted in Drama, Long Beach/San Pedro, Theater Review

DRIVING WILDE

Though it goes haywire about halfway through, Driving Wilde, Jacqueline Wright’s trippy contemporary Americanized take on The Portrait Of Dorian Gray, is far from dull.
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posted in Comedy-Drama, Hollywood/West Hollywood, Theater Review, World Premiere

EARLY BIRDS

Night-and-day-different 70somethings bond aboard ship in Dana Schwartz’s Early Birds, a World Premiere comedy as entertaining and charming as it is predictable, and nothing wrong with that.
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posted in Comedy, Los Angeles, Theater Review, World Premiere, WOW!

HANNAH AND THE DREAD GAZEBO

Magic realism has never been my thing, and since Hannah And The Dread Gazebo relies on an abundance of it to tell the story of a 30something Korean-American’s visit to her parents’ homeland, I ended up unengaged by Jiehae Park’s overly fanciful comedy despite some terrific performances and a dazzling production design.
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posted in Comedy, Los Angeles, Theater Review

FRANKENSTEIN

Playwright Nick Dear humanizes the monster commonly if incorrectly known as Frankenstein in his 2011 stage adaptation of the Mary Shelley classic, an A Noise Within season opener as compelling as it is unexpectedly poignant.
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posted in Drama, Pasadena, Theater Review, WOW!

DOPE QUEENS

Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
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posted in Drama, Hollywood/West Hollywood, Theater Review, World Premiere

ANNIE

A nation in the midst of its gravest economic crisis. Out-of-work Americans on the streets. Underage orphans forced into backbreaking labor. And a perky little redhead with an unquenchable hope for a better “Tomorrow.” Annie The Musical is back at Glendale Centre Theatre, proving that even the grimmest of times can inspire the most cheerful, delightful, and tuneful of musical comedy treats.
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posted in Burbank/Glendale, Musical, Theater Review, WOW!

THE SKIN OF OUR TEETH

Climate change, natural disasters, cataclysmic war, and a leading lady who steps out of character to inform the audience that she doesn’t understand a word of the play in which she’s appearing. What must 1942 theatergoers have made of Thornton Wilder’s The Skin Of Our Teeth?

Check out Theatricum Botanicum’s zesty 2019 revival and savor for yourself this Greek Mythology-meets-The Bible-meets-Ancient History-inspired 20th-century classic, as charming as it is mind-blowing and as terrifically directed and performed as any Wilder fan could wish for.
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posted in Classic Play, Theater Review, West Side/Beverly HIlls, WOW!

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