MAN OF GOD

The discovery of a spy cam pointing up from inside the hotel bathroom toilet of four Korean-American teens on a mission trip to Thailand sets in motion a wild and unexpected chain of events in Anna Moench’s Man Of God, an East West Players World Premiere as funny, dramatic, and edge-of-your-seat gripping as it is a timely reminder that there are no age restrictions where the #metoo movement is concerned.
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MATTHEW BOURNE’S CINDERELLA

The world’s favorite step-daughter once again meets her Prince Charming (but this time the man in question is an injured WWII pilot, the setting is London circa The Blitz, and their romantic tale-as-old-as-time is told entirely in dance as only Sir Matthew Bourne can choreograph it) in the thrillingly performed, apty retitled Matthew Bourne’s Cinderella (Music By Prokoviev), now paying a return visit to the Ahmanson Theatre twenty years after it first captivated L.A.
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COME FROM AWAY

Heroism, humanity, and heart triumph over terror in Come From Away, the 2017 Broadway Tony winner that turns the most unlikely of subject matters into the most feel-good of musicals. (That it’s also the best-directed, most powerfully performed show now touring the country is icing on the cake.)
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LAST CALL

Anne Kenney is hardly the first writer to tackle the issues confronting adult children of aging parents but her theatrical debut, Last Call, an Open Fist Theatre Company World Premiere, is as perceptive and powerful as family dramas get.
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AUGUST WILSON’S TWO TRAINS RUNNING

August Wilson’s Pulitzer Prize-nominated Two Trains Running arrives at the Matrix just in time for Black History Month in as powerfully staged and performed a production as any theatergoer, regardless of color, could possibly wish for.
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THE IMPORTANCE OF BEING EARNEST

Multitalented director Michael Marchak ups the physical comedy to entertaining effect in Crown City Theatre Company’s 124th-anniversary revival of Oscar Wilde’s The Importance Of Being Earnest, but it remains Wilde’s way with words delivered by a terrific cast of Crown City favorites that earn the lion’s share of laughs.
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IT IS DONE

Sparks fly in the most horrifyingly unexpected of ways in a seedy bar ninety miles from nowhere in Alex Goldberg’s edge-of-your-seat chiller It Is Done, the risk-taking latest from Beverly Hills’ venerable Theatre 40.
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HELLO, DOLLY!

Betty Buckley is making matches right and left while earning ovation after ovation as only a Broadway legend can in the 10-Tony-award-winning 1964 classic Hello, Dolly!, now paying L.A. a three-week visit to Hollywood’s Pantages.
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