GRUMPY OLD MEN THE MUSICAL

No matter your mood upon arrival, expect to exit the La Mirada Theatre For The Performing Arts with the broadest of smiles on your face when you see the feel-good musical that’s been made from the Jack Lemmon-Walter Matthau movie smash Grumpy Old Men.
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FUN HOME

Inland Valley Repertory Theatre took its subscribers and donors on a memorable three-performance-only journey back to the 1970s and ’80s with Alison Bechdel’s graphic memoir-turned-Tony-winning musical Fun Home, a young lesbian’s coming of age, coming out, and coming to grips with love and loss.
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AMERICAN MARIACHI

I dare you not to fall for South Coast Repertory’s American Mariachi, the crowd-pleasingest season opener any major American regional theater could wish for.
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DEADLY

The Demon Doctor of West 63rd Street is bumping off victim after victim at the Broadwater Theatre in Vanessa Claire Stewart and Ryan Thomas Johnson’s deliciously horrorific Deadly, or as I like to call it, Murder Castle, the H.H. Holmes Musical.
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SKINTIGHT

Playwright Joshua Harmon (Bad Jews, Significant Other) is back at the Geffen with the uproariously funny, unexpectedly touching Skintight, a star vehicle if there ever was one for its wickedly talented leading lady.
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THE SOLID LIFE OF SUGAR WATER

Sex, described by its participants in the most graphic of terms, begins the recovery process for a young married couple in Jack Thorne’s The Solid Life Of Sugar Water, a provocative British two-hander made something quite special indeed when translated into American Sign Language and staged by Deaf West Theatre in its American Premiere.
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LATIN HISTORY FOR MORONS

If John Leguizamo’s Latin History For Morons sounds like it’s going to be nothing more than a light-hearted accumulation of dates and names and facts we all ought to know but don’t, think again. Though Leguizamo’s one-man show is indeed as funny and elucidating as any theater-going moron could wish for, it’s also a justifiably rage-filled attack on those who’d rather see his people erased not just from history books (as they already are) but from America itself.
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THE LONESOME WEST

Irish playwright Martin McDonagh once again plumbs the depths of human depravity to hilarious and horrifying effect in his pitch-black 1997 comedy The Lonesome West, one of Little Fish Theatre’s best productions ever.
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