COME FROM AWAY


The 2017 Broadway Tony winner Come From Away has returned to the Ahmanson Theatre for a two-week run, once again proving that heroism, humanity, and heart can triumph over terror. Not only that, but this supremely feel-good musical remains one of the best directed and most powerfully performed National Tours I’ve seen in many a year.
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KING OF THE YEES


Sierra Madre Playhouse is back in business with Lauren Yee’s affectionate, affecting, winningly amusing tribute to her Chinese-American dad in King Of The Yees.
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BELOVED


The Road Theatre Company’s three-shows-in-a-row return season goes from good to better to best of all with the World Premiere of Arthur Holden’s Beloved, a suspense-filled, twist-packed stunner that will leave you blown-away and breathless.
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GOD OF CARNAGE


Yasmina Reza’s God Of Carnage has returned to Los Angeles eleven years after it broke Ahmanson box office records, this time round at the Odyssey Theatre, an intimate setting that better suits Reza’s hilariously edgy comedy of manners (and lack thereof), terrifically performed by a crackerjack ensemble of four.
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HAMLET


Ramón de Ocampo’s bravura lead performance, Elizabeth Swain’s insightful direction, and a striking production design are just three reasons to celebrate Antaeus Theatre Company’s return to in-person productions with their meaty, three-hour long Hamlet.
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METAMORPHOSES


A Noise Within closes its 2021-2022 season with what may well be the classical theater company’s most breathtakingly gorgeous production ever, Mary Zimmerman’s Metamorphoses.
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NEWSIES


3-D Theatricals is back in business doing what it does best, treating audiences of all ages to Broadway-caliber productions like Newsies The Musical, now wowing audiences at the Cerritos Center For The Performing Arts.
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VENUS IN FUR


A sizzling Sam Bianchini ignites the Atwater Village Theatre stage opposite the dynamic Roland Ruiz in David Ives’ Venus In Fur, as provocative and daring as it is maddeningly cryptic.
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