THE SOLID LIFE OF SUGAR WATER

Sex, described by its participants in the most graphic of terms, begins the recovery process for a young married couple in Jack Thorne’s The Solid Life Of Sugar Water, a provocative British two-hander made something quite special indeed when translated into American Sign Language and staged by Deaf West Theatre in its American Premiere.
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LATIN HISTORY FOR MORONS

If John Leguizamo’s Latin History For Morons sounds like it’s going to be nothing more than a light-hearted accumulation of dates and names and facts we all ought to know but don’t, think again. Though Leguizamo’s one-man show is indeed as funny and elucidating as any theater-going moron could wish for, it’s also a justifiably rage-filled attack on those who’d rather see his people erased not just from history books (as they already are) but from America itself.
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THE LONESOME WEST

Irish playwright Martin McDonagh once again plumbs the depths of human depravity to hilarious and horrifying effect in his pitch-black 1997 comedy The Lonesome West, one of Little Fish Theatre’s best productions ever.
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THE BODYGUARD

Daebreon Poiema is once again spectacular as pop diva Rachel Marron in The Bodyguard, the ’90s movie smash recreated live on stage at Candlelight Pavilion Dinner Theatre under John LaLonde’s able direction.
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WITCH

Is there something you want so badly that you’d give up your soul to get it? That is the question Jen Silverman poses in Witch, her devilishly clever, deliciously laugh-packed, decidedly dark look at gender, class, and the future of life as we know it, set way back in Jacobean England but told in a vernacular as contemporary as the latest Netflix hit.
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MOBY DICK – REHEARSED


With metatheatrical stage adaptations of literary classics almost as commonplace today as cell phones and email, Orson Welles’ Moby Dick — Rehearsed feels like it could have been written last week and not way back in 1955. It’s also as thrilling a production as I’ve seen at Will Geer’s Theatricum Botanicum.
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EARLY BIRDS

Night-and-day-different 70somethings bond aboard ship in Dana Schwartz’s Early Birds, a World Premiere comedy as entertaining and charming as it is predictable, and nothing wrong with that.
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FRANKENSTEIN

Playwright Nick Dear humanizes the monster commonly if incorrectly known as Frankenstein in his 2011 stage adaptation of the Mary Shelley classic, an A Noise Within season opener as compelling as it is unexpectedly poignant.
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