LOVE LIKE BLUE
Thursday, October 25th, 2007
In Act 1, three relationships break up. In Act 2, the same six individuals begin anew,
but with different partners. A clever “why hasn’t that been done before?” premise,
skillfully executed in Kristen Lasarian’s world premiere play Love Like Blue.
(read more)
THE QUALITY OF LIFE
Tuesday, October 23rd, 2007
When I see a production as beautifully written, directed, and performed as The
Quality of Life, I thank my lucky stars that I live in Los Angeles (well, in
Alhambra, actually, but who’s splitting hairs?). Where else could I be treated
to internationally known film and TV vets like Scott Bakula, Dennis Boutsikaris,
Laurie Metcalf, and JoBeth Williams returning to their stage roots, an award-
winning writer/director like Jane Anderson with serious film/TV/stage credits,
and a design team as fine as the one assembled at the Geffen for this
production?
(read more)
ANON
Sunday, October 21st, 2007
Kate Robin’s provocative new play Anon begins as a light romantic comedy
and soon develops into something a good deal more weighty. Trip (Blayne
Weaver) and Allison (Kit Pongetti) meet cute when animal psychologist Allison
makes a house call at Trip’s apartment because his cat (named Cat) has
been peeing in all the wrong places. She advises him to talk to Cat, confide in
her, buy her more toys, keep her litter box tidy (with a metal scooper), and by
all means give her a less generic name. Her $200 fee paid, Allison accepts Trip’
s impulsive invitation to dine with him (Chinese take-out) and the evening
ends with a bout of passionate lovemaking.
(read more)
“MASTER HAROLD” … and the boys
Saturday, October 20th, 2007
The Colony Theatre Company’s last production, Trying, proved to be its biggest and
most critically acclaimed hit in years, and has scored an impressive 8 Ovation
nominations—in every category for which it was eligible. A decidedly tough act to
follow, but follow it they have, with a superb and supremely moving production of
Athol Fugard’s “Master Harold” … and the boys.
(read more)
TOM, DICK, AND HARRY
Friday, October 19th, 2007
Nobody writes farce better than the UK’s Ray Cooney, whose plays are a staple
of regional and community theaters across the U.S. His most recent comedy,
Tom, Dick and Harry (written with son Ray Cooney) is getting its West Coast
Premiere at International City Theatre in Long Beach, and thanks to Cooney’s
brand of nonstop mayhem, crackerjack direction by Todd Neilsen and a
sensational cast, this is a chance to see Cooney farce at its best.
(read more)
SPIN
Wednesday, October 17th, 2007
Maryland governor Ben Wiley’s approval rating is down to 32% following an
incident in which he “copped a quick feel” in his private office in the State house.
It was a setup, he tells gubernatorial advisor/“miracle worker” Billy Dodge. She was
wearing no bra and “they were hanging there like ripe fruit.” What was a
governor to do?
(read more)
DANGEROUS CORNER
Tuesday, October 16th, 2007
Theatre 40’s revival of Dangerous Corner, J.B. Priestley’s 1932 London and Broadway mystery thriller, is both a well realized period play, with attention paid to costumes, hair, and set design, and a surprisingly modern piece of theater with plot twists any contemporary playwright would be proud of. Fast paced, well acted and directed, and authentically designed to take the audience back seventy-five years, Dangerous Corner is a suspenseful and conversation-provoking treat.
(read more)
OKLAHOMA!
Sunday, October 14th, 2007
Of all the Rodgers and Hammerstein musical theater classics, their first and oldest collaboration, Oklahoma!, remains their most contemporary. To modem eyes, Carousel’s hero Billy Bigalow may be seen as an abusive husband. South Pacific’s Nellie is so shocked that Emile had married a (heaven forbid!) Polynesian woman and had children with her that she breaks off their relationship. And The King and I’s King (of Siam no less) needs to be “modernized” by a British schoolteacher. There is, however, nothing dated about either Oklahoma!’s characters or its story. Also, unlike the ever-popular Sound of Music, Oklahoma! has its dark side, not only in the character of Jud Frye, but also in Laurey’s conflicted and repressed longings. That’s not to say that the other R&H musicals are anything less than classics. It just that Oklahoma! better than any others has stood the test of time.
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