TINTYPES
Saturday, March 1st, 2008
On Broadway, Tintypes received three Tony nominations including Best Musical
of 1981, but it ran only 93 performances. Had Marsha Moode directed it, it
might very well have run 993 performances and won all those Tonys. That’s
how sensational Moode’s Tintypes “revisal,” the current production of the
Downey Civic Light opera, is. Moode, following numerous accomplishments as
DCLO’s director extraordinare, now has her biggest artistic success so far.
(read more)
BUS STOP
Sunday, February 24th, 2008
William Inge is perhaps best known for a pair of plays about life in the American
Midwest in the 1950s. Picnic tells of a frustrated small town girl who falls for a
handsome drifter. Its companion piece, Bus Stop, is about a naïve cowboy
who loses his head over a “chanteuse” with a past. Both became popular
films and gave blonde bombshells Kim Novak and Marilyn Monroe rare
chances to prove that they were actresses and not just glamour girls. Both
Picnic and Bus Stop continue to be favorites of community and regional
theaters, with the latter now getting a first-rate staging at the Rubicon in
Ventura.
(read more)
ALL SHOOK UP
Saturday, February 23rd, 2008
If there were more justice in the world of Broadway theater, All Shook Up
would now be in its third year of playing there to standing ovations. It has a
clever and very funny book by Joe DiPietro. Ken Robertson and Sergio Trujillo
came up with a bunch of sensational dances. It featured a truly star-making
performance by Cheyenne Jackson and an equally stellar supporting cast.
Most notable of all, it was built around two dozen songs made famous by Elvis
Presley, in other words, some of the most recognizable, hummable hits ever on
a Broadway stage.
(read more)
WEST SIDE STORY
Thursday, February 21st, 2008
As I sat watching West Side Story last night, amazingly my first time ever at a
professional stage production of this musical theater classic, I couldn’t help
thinking about what Broadway audiences must have felt as they first
discovered it back in 1957. This was, after all, a Broadway whose most recent
Tony-winners were My Fair Lady, Damn Yankees, and The Pajama Game.
What must audiences who were accustomed to this fun and sunny fare have
thought about a show where the leading man and leading lady didn’t have
the proverbial happy ending, and whose characters lived dismal lives in the
worst parts of Manhattan and hated anyone whose differences threatened
their go-nowhere existences?
(read more)
THE IMPORTANCE OF BEING EARNEST
Sunday, February 17th, 2008
South Coast Rep’s revival of Oscar Wilde’s The Importance Of Being Earnest is
a production full of color, imagination, and panache. (Note: For those in need
of a summary of the oft performed comedy of manners, click here for a
Wikipedia synopsis.) Director Warner Shook’s original vision for Earnest is evident
from the moment the audience first sets sight on Michael Olich’s gorgeous non-
literal set design. The Segerstrom Stage is ablaze with rich blue-greens and
reds, colorful Persian rugs, a handsomely brocaded divan and armchair, and a
leopard rug center stage, head intact, and not a wall in sight. Nephelie
Andoyadis’s costumes are the epitome of elegance, and match the set’s color
scheme, which by the way changes for each of the play’s three acts.
(read more)
1776
Saturday, February 16th, 2008
It’s always exciting for me to discover a new play or musical, and that’s exactly
how I felt experiencing 1776 at Actors Co-op. True, 1776 has been around for
nearly 30 years, and I believe that I just might have seen the first national tour
(though if so, obviously in my infancy). I think also that I may have rented the
movie version at some time or other since the advent of the VCR. Still,
whatever memories I have of any previous 1776s are vague to say the least.
That’s why seeing 1776 at last, especially in such a polished and class-act
production, filled me with a sense of discovery.
(read more)
STUPID KIDS
Friday, February 15th, 2008
Gay teens are once again center stage at the Celebration Theatre in John C.
Russell’s comedy Stupid Kids. Michael Matthews, nominated for the Ovation
Award for his direction of the Celebration’s previous teen play Beautiful Thing,
once again proves himself a director extraordinaire in this energetic, dance
and music filled, laugh out loud funny yet poignant exploration of
contemporary American teendom.
(read more)
DICKIE AND BABE: THE TRUTH ABOUT LEOPOLD & LOEB
Thursday, February 14th, 2008
Having recently attended opening night of Nick DeGruccio’s outstanding
production of the Thrill Me: The Leopold and Loeb Story, I found Daniel Henning’s
superb Dickie & Babe: The Truth About Leopold & Loeb of special fascination.
Thrill Me is an 80-minute romantic musical, told entirely through the eyes of the
two Chicago teenagers who gained fame, and infamy, from the 1924 “thrill
killing” of 14-year-old Bobby Franks, and features an entirely fictional twist at its
conclusion. Dickie & Babe runs twice as long, introduces over two dozen
additional characters including family members, friends, trial witnesses, and the
greatest attorney of his time, Clarence Darrow, and is scrupulously based on fact.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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