AS U2 LIKE IT


Matt Walker and his zany band of Troubies are back with their latest mix of song, dance, laughter, Shakespeare, and adlibs galore. The troupe, which has won L.A. hearts with (among others) Much Adoobie Brothers About Nothing, Hamlet (The Artist Formerly Known As The Prince Of Denmark), and OthE.L.O, now blends As You Like It with cleverly rewritten U2 hits to produce As U2 Like It, a total delight from start to finish. 
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SUFFER THE LONG NIGHT


FLU EPIDEMIC STRIKES COMMUNITY THEATER
UNDERSTUDIES REPLACE 19 OUT OF 23 IN CAST
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EDUCATING RITA


Willy Russell’s Educating Rita is probably best known to Americans as the 1983 film which starred Michael Caine as alcoholic Professor Frank Bryant and introduced Julie Walters to the world as hairstylist turned open university student Susan “Rita” White, a role which won her the Golden Globe award and an Oscar nomination.
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SISSYSTRATA


The Celebration Theatre concludes its 25th season with a sensational Sissystrata, a visually dazzling, outrageously funny adaptation of Aristophanes’ Lysistrata a la West Hollywood.
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THE PAVILION


As the strains of The Beatles “Across The Universe” fade, a young man appears on a bare black stage.
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deLEARious


Open Fist Theatre has come up with a winner in their World Premiere production of deLEARious, a Monty Python meets William Shakespeare delight of a musical within a musical within a musical.
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THE COMEDY OF ERRORS


Open Fist’s production of William Shakespeare’s The Comedy Of Errors may be the most fun I’ve ever had at a Shakespeare play, and that’s saying something for a Shakespeare-phobe like me. Now don’t get me wrong.  I don’t really hate Shakespeare, and I have had fun at a Shakespeare play … a few times, at least.  The trouble is that the Bard’s 16th Century English and tangled plotlines often go right over my head, or at least past my ears without really sinking in. Not so with Open Fist’s Comedy Of Errors. I’m not quite sure how they did it, but director Ron West and his cast of zanies have somehow clarified Shakespeare for me, archaic speech, convoluted storyline and all.  The play’s 90 minutes (clearly some judicious snipping took place) just zipped by and I actually understood what was happening most of the time! I had a ball!
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PEN


If 17-year-old Matt Bayer had to choose a Stephen Sondheim song to describe his mother Helen, it would doubtless be “You Could Drive A Person Crazy.”  Helen may once have been a happy and healthy wife and mother, but in recent years multiple sclerosis has bound her to a wheelchair, sent her ex-husband into the arms of a younger woman, and made living with her the proverbial “living hell,” at least for Matt.  The poor kid can’t even make it out of their apartment to see a movie. Mom will do anything to keep Matt by her side tonight, and if she has her way, forever.
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