A CHRISTMAS CAROL


Jason Moyer’s fabulous gay adaptation of Charles Dickens’ A Christmas Carol is back for a return engagement with a new director (Michael A. Shepperd), a slightly tweaked book, a mostly new cast, and a whole new bigger-budgeted look and feel.
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THE BUSY WORLD IS HUSHED


Besides being one of the best and most intelligent new plays in quite a while, Keith Bunin’s The Busy World Is Hushed couldn’t come at a more appropriate time.  Following a Yes On 8 victory which was fueled largely by so-called “devout Christians,” it is refreshing indeed to see a play which presents a gay-affirming branch of Christianity, and a lead character (and person of the cloth) who not only accepts that her son is gay but actively encourages his quest for Mr. Right.
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WEST SIDE STORY


Musical Theatre Of Los Angeles follows its much lauded 99-seat production of the mammoth Ragtime with yet another challenge—staging the Jerome Robbins-Arthur Laurents-Leonard Bernstein-Stephen Sondheim classic West Side Story with a 32-member cast and a 10-piece orchestra on a stage perhaps ¼ the size of most large theaters’.  The result is an intimate yet epic production which rates an A+ for ambitiousness and a solid B for execution, and one which confirms MTLA’s promise as a young and daring new musical theater company.
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SCROOGE IN ROUGE


I’ll make a prediction.  Scrooge In Rouge is likely to be the funniest, campiest, most delightful, most all-around entertaining Christmas show you’ll be seeing this holiday season.
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JACOB MARLEY’S CHRISTMAS CAROL


Southern Californians may not be able to depend on snow before Christmas, but one thing is certain about our theater scene.  There will be Charles Dickens’ A Christmas Carols galore every year from November through December.
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A MULHOLLAND CHRISTMAS CAROL


Three minutes before midnight on March 12, 1928, the St. Francis Dam (located 40 miles northwest of Los Angeles) burst catastrophically, resulting in a flood which took over 600 lives. The dam had been the brainchild of William Mulholland (of Mulholland Drive fame), who masterminded the 233-mile Los Angeles Aqueduct to transport water south from the Owens Valley in Central California and helped to transform Los Angeles from a chaparral-covered desert to the city we know today.
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INTO THE WOODS


Since its Broadway premiere 21 years ago, Stephen Sondheim and James Lapine’s Into The Woods has become one of the most performed musicals in the U.S.—in regional CLOs, on college and high school campuses, and in intimate theaters.  Its first act, which magically combines some of the best loved of Grimm’s Fairy Tales, and its second, which explores with considerable depth what happens after “happily ever after,” make for a show which retains its freshness and originality two decades after it first captivated Broadway audiences.
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PROBLEM CHILD


The comedy is dark indeed in George F. Walker’s Problem Child, and thanks to Walker’s twisted take on life and a quartet of pitch-perfect performances, this Bella Productions/Actor’s Workout Studio production is black comedy at its blackest and funniest.
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