WAIT UNTIL DARK
Saturday, May 2nd, 2009
The dark is a scary place to be. Just think back on all the movie and TV thrillers with the word “dark” in their title: Dark Shadows, The Dark House, Whispers In The Dark, Are You Afraid Of The Dark, Dark Water, and of course Elvira Mistress Of The Dark—to name just a few.
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IS HE DEAD?
Friday, May 1st, 2009
Straight men in drag have made for sure-fire comedy since long before Milton Berle donned wigs, lipstick, and gowns on TV’s Texaco Star Theater back in the 1950s and Barry Humphries created Dame Edna several decades later. Charley’s Aunt made the first of his/her six Broadway appearances way back in 1893, and only five years after that Mark Twain wrote Is He Dead?.
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PHOTOGRAPH 51
Thursday, April 30th, 2009
In an ironic twist of fate, Dr. Rosalind Franklin, the woman who should have shared the 1962 Nobel Prize for the discovery of DNA’s double helix structure received no recognition whatsoever from the Nobel Foundation. True, the Foundation does not award the prize posthumously, and Dr. Franklin had died four years earlier. No, the real irony is that Rosalind Franklin died without even knowing her part in this world-changing discovery.
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JESUS CHRIST SUPERSTAR
Tuesday, April 28th, 2009
As one of the few musical theater buffs who’d never seen a big stage production of Andrew Lloyd Webber’s Jesus Christ Superstar, I didn’t know quite what I’d be in for at Civic Light Opera Of South Bay Cities’ big-cast, big-scale revival of the Andrew Lloyd Webber rock classic, though given CLOSBC’s great track record and the sensational lineup of talent in the JCS cast, I knew I’d be in for something special.
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THE COLUMBINE PROJECT
Saturday, April 25th, 2009
Paul Storiale’s The Columbine Project attempts the impossible—to document, explore, and try to make sense of the 1999 massacre of twelve students and one teacher at Columbine High School, outside of Denver, Colorado. Against all odds, The Columbine Project proves a triumph for the writer-producer-director and his cast of twenty-one mostly very young actors. That Storiale has been able not only to explore the hows and whys of that most horrific of days, but that he has also somehow managed to fill his stage with nearly two dozen gifted performers is nothing short of miraculous.
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BETRAYAL
Wednesday, April 22nd, 2009
It’s New Year’s Eve, 1968, and Jerry is confessing to Emma his love for her, in the very bedroom she shares with her husband Robert, Jerry’s best friend. “I must tell you,” Jerry declares passionately. “I want to tell you. I have to tell you. You’re lovely. I’m crazy about you. All these words I’m using, don’t you see, they’ve never been said before. I’m bowled over, I’m totally knocked out, you dazzle me, you jewel, my jewel…” Heady words, and with them Jerry and Emma begin a love affair, virtually under the eyes of his wife and her husband, an affair which will last seven years, only to have become a distant memory when they meet again, nine years later.
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KISS OF THE SPIDER WOMAN
Monday, April 20th, 2009
When the folks at Musical Theatre Guild were planning their 2008-2009 season of rarely performed Broadway musicals, it probably didn’t occur to anyone that their one-night-only revival of Kiss Of The Spider Woman would come only months after L.A.’s first fully staged production of Kiss since Chita Rivera and the National Tour played at the Ahmanson in 1996. Havok’s production (which featured many MTG performers, and which many felt surpassed the Tour in excellence) would indeed be a hard act to follow. There was no way a “concert staged reading” could match Havok’s design elements or the complexity of the many production numbers which recently won Lee Martino the LADCC Award for Best Choreography. MTG’s readings are, after all, presented with minimal sets and lighting, and few if any costume changes, and the entire show is allowed only 25 hours rehearsal time per Actor’s Equity rules. On the other hand, what MTG could and did offer Monday’s audience at Glendale’s Alex Theatre was a whole bunch of superb performances, and a chance to go back to the basics of Terrence McNally’s book, John Kander’s music, and Fred Ebb’s lyrics. The result, I’m happy to say, was an absolute triumph.
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NO WAY TO TREAT A LADY
Sunday, April 19th, 2009
A serial killer is on the loose in New York, strangling elderly women one by one, and leaving a lipstick kiss on the forehead of each of his victims. Hardly the stuff of musical theater, you might think.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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