SETUP & PUNCH
Thursday, May 21st, 2009
Nine years following her acrimonious split from Brian, Vanya (nee Yvonne Patricia) takes pen to paper to write (yes, write, not email) her onetime creative partner with a request. “Dear Brian,” she writes. “I know I can’t make up with you but I hope we can be friends.”
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ONCE UPON A MATTRESS
Sunday, May 17th, 2009
Once Upon A Mattress is a popular choice for high school musicals and community theaters, but I can’t recall a professional production here in L.A., so the Lyric’s totally entertaining revival of this 1959 Broadway gem comes as particularly welcome news, especially in these gloomy economic times.
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TRAFFICKING IN BROKEN HEARTS
Saturday, May 16th, 2009
Papo is a Puerto Rican hustler who’s been selling his body on the mean streets of early 1990s New York City since the age of fifteen. Brian is a 26-year-old gay virgin who frequents phone sex lines and adult bookstores, alternately craving and fearing his first sexual experience. Bobby is a 16-year-old runaway whose older brothers have been raping him daily since he was twelve.
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BREAKING THE CODE
Friday, May 15th, 2009
Superbly directed by Robert Mammana and featuring a tour de force lead performance by M Butterfly’s Sam R. Ross, Breaking The Code is, simply put, must-see theater. Despite its 1930s to 1950s English setting, Hugh Whitemore’s biodrama remains vital and relevant to 21st Century America, both as a reminder of a time not so long ago when a confession of homosexual acts could send a man to prison, and as proof that “the more things change, the more they stay the same.”
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THE KING AND I
Thursday, May 14th, 2009
When you’ve seen a musical theater classic like Rodgers and Hammerstein’s The King And I as many times as I have, the excitement of each new production (besides the pleasure of revisiting an old favorite) is seeing new performers, directors, choreographers, musical directors, and designers put their own stamp on it.
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MARRY ME A LITTLE/THE LAST FIVE YEARS
Tuesday, May 12th, 2009
My favorite East West Players shows are their productions of well-known plays and musicals which offer Asian-American actors the opportunity to tackle roles for which they might not normally be considered. Whether dramatic fare, like Proof or Equus, or musicals like Little Shop Of Horrors or pretty much all of the Sondheim oeuvre, or a play with music like Master Class, these are the productions which have left the strongest, best impressions on me.
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THE LITTLE DOG LAUGHED
Saturday, May 9th, 2009
Diversionary Theatre’s production of The Little Dog Laughed makes several things perfectly clear. First, that despite the out, proud, and successful-as-ever Neil Patrick Harrises and T.R. Knights et al, the closet is alive and well in Hollywood. Second, that Douglas Carter Beane’s comedy may be the funniest Broadway show yet about gay movie stars, lesbian agents, and bisexual hustlers. Third, and the best news of all for San Diego audiences, Diversionary’s cast of four locally-based actors stands up very nicely to their Broadway counterparts, thank you very much.
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BIG THE MUSICAL
Friday, May 8th, 2009
Following its award-winning productions of Zanna, Don’t and Assassins, West Coast Ensemble continues its winning streak of musical hits with a sensational intimate staging of Big The Musical.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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