FELLOWSHIP! A MUSICAL PARODY OF “THE FELLOWSHIP OF THE RING”


Fellowship! is back in town, and it’s not just Lord Of The Rings fans who have reason to celebrate.
(read more)

THE SOMETHING-NOTHING


Fielding Edlow’s The Something-Nothing is a hilarious, biting, highly original look at a 20something love triangle in pre-9/11 New York City.

(read more)

RING OF FIRE


Johnny Cash fans will be in country music heaven through June 21 as La Mirada Theatre For The Performing Arts and McCoy Rigby Entertainment present Ring Of Fire: The Music Of Johnny Cash. Correction: make that music fans, pure and simple.  Singer-songwriter-icon Johnny Cash transcended easy classification, blending rock and roll, rockabilly, folk, and gospel, making this production an L.A. musical event of the first order.
(read more)

THE LAST FIVE YEARS


One of the best things about live theater is being able to see favorite plays and musicals revived with new actors tackling iconic roles, new directors putting their stamp on familiar material, and new design teams giving old shows new looks. This rarely happens in movies and TV, where the word remake is often synonymous with “Sacrilege!” 
(read more)

AN EMPTY PLATE IN THE CAFÉ DU GRAND BOEUF


The Laguna Playhouse serves up a tangy comedic soufflé in the West Coast Premiere of An Empty Plate In The Café Du Grand Boeuf—with a surprise “be careful what you wish for” dénouement worthy of O Henry.
(read more)

THE LITTLE FOXES


There were no air conditioners or airplanes, no television or traffic lights in 1900.  Ballpoint pens and shopping carts had yet to be invented, nor had calculators or computers.  Still, despite how different our 21st Century world may seem from the one inhabited by the Hubbards of Lillian Hellman’s The Little Foxes, at least one thing remains very much the same—greed.  When Ben Hubbard utters the prophetic lines, “There are hundreds of Hubbards sitting in rooms like this throughout the country. All their names aren’t Hubbard, but they are all Hubbards and they will own this country some day,” he could easily be speaking of the CEOs whose greed is in large part responsible for today’s economic woes.  Despite being seventy years old and taking place more than a century ago, The Little Foxes is as relevant as ever, as well as being crackling good theater, especially in a production as exciting, powerful, and contemporary as the one now playing at the Pasadena Playhouse.
(read more)

THE BRAND NEW KID


Don’t let the words Theatre For Young Audiences fool you.  South Coast Repertory’s TYA productions are treats for theatergoers of all ages. True, most audience members over the age of 12 are probably there as chaperones, but fear not.  In terms of on-and-offstage talent, these shows can’t be beat, and even adults who cringe at the idea of seeing anything G-rated will likely have a great time, with or without kids in tow.
(read more)

THE MUSCLES IN OUR TOES


The last time there was a 20th high school reunion at the El Portal Forum Theatre, the returning grads were a quartet of 60s-hits-singing housewives who called themselves The Marvelous Wonderettes.  In Stephen Belber’s just opened The Muscles In Our Toes, the returnees are four male buddies and the music providing a soundtrack to their reunion is performed by Culture Club, Eurythmics, and other 1980s icons. Whereas The Marvelous Wonderettes was light and fluffy fun, The Muscles In Our Toes makes for far darker fare, at times shocking, but often hilarious in its own edgy way.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »