F*CKING MEN
Friday, September 11th, 2009
With a title like F*cking Men and the promise of full frontal male nudity, the latest Celebration Theatre production will have no problem attracting audiences. Joe DiPietro’s modern gay twist on Arthur Schnitzler’s 1900 classic La Ronde has been filling seats in London for the past two years and counting. What WeHo theatergoers will be getting, however, is much more than merely a sexually explicit title and some briefly viewed private parts. DiPietro’s play, particularly as directed here by the justly admired Calvin Remsberg, is a witty, perceptive, absolutely engrossing look at gay relationships, both sexual and romantic. F*cking Men says much about the way gay men meet and mate, but audiences of either sex or any sexual orientation are likely to recognize themselves in at least one of DiPietro’s diverse cast of characters.
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THE NIGHT IS A CHILD
Wednesday, September 9th, 2009
Who wouldn’t want to escape the winter cold of Massachusetts for the beaches of Rio De Janeiro? Certainly not 50ish widow-housewife-mother-grandmother Harriet Easton, who’s just arrived in the land of sun and samba. Harriet’s face lights up with joy at the simple fact of being in Brazil, but her smile hides a pain almost too excruciating to live with, the grisly reason for which is revealed pouco a pouco in Charles Randolph-Wright’s magical new play The Night Is A Child, now getting a stunning staging at the Pasadena Playhouse under the nuanced direction of Sheldon Epps.
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I LOVE YOU BECAUSE
Sunday, September 6th, 2009
I Love You Because is one of the funniest and most delightful new musicals of the past few years. It has one of the most tuneful, memorable scores you’re likely to hear this year or next. It’s also the most unabashedly romantic musical comedies ever. Its San Diego premiere at North Coast Repertory is a reminder that yes, indeed, there are times that big city L.A. theater is trumped by its neighbor to the south.
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LITTLE SHOP OF HORRORS
Saturday, September 5th, 2009
In my July review of Musical Theatre West’s big-stage, big-budget production of Little Shop Of Horrors, I wrote, “Little Shop Of Horrors is that rarity in musical theater—a show which works equally well in a tiny space and on a Broadway-sized stage, one which can delight and entertain whether performed by teenagers, amateurs, or … A-List professionals,” a comment proved spot-on by the intimate theater revival just opened at the Knightsbridge. Though it doesn’t have the big bucks behind it that MTW’s did, and though its leads haven’t yet starred on Broadway or been TV regulars, under Jaz Davison’s nothing-short-of-inspired direction, this may well be the most exciting Little Shop I’ve seen.
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LUCKY STIFF
Thursday, September 3rd, 2009
Glendale Centre Theatre follows its sensational staging of Footloose The Musical with Lucky Stiff, an absolutely delightful, albeit smaller scale musical treat, and the first collaboration of Ragtime’s Lynn Ahrens and Stephen Flaherty. Though it is based on Michael Butterworth’s novel The Man Who Broke The Bank At Monte Carlo, movie fans will most likely be reminded of Weekend At Bernie’s. You remember Bernie, the corpse that Andrew McCarthy and Jonathan Silverman had to convince everyone was hale and hearty and having the time of his life? Well, the “stiff” in Lucky Stiff is murder victim Anthony Hendon, who has left a $6,000,000 fortune to his British nephew Harry Witherspoon on one condition: Harry must take Uncle Anthony’s corpse on one last vacation to Monte Carlo.
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BLOCK NINE
Sunday, August 30th, 2009
If ever a production could be called unique, then Tom Stanczyk’s Block Nine is just that production. Press materials describe it as “an unapologetically same-sex, retro-noir 1930s gangster homage” and “an exploration of sexuality, gender, stereotype, romance and aggression (in) an underworld full of guns, jail breaks, booze and bodies.” How’sthat for something out of the ordinary?
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VISITING MR. GREEN
Saturday, August 29th, 2009
The “Odd Couple Two-Hander” has become something of a Colony Theatre specialty over the past few years. Take a mismatched duo, put them in the same space, and watch the sparks fly. The two characters can be the same sex or opposite, they can be the same age or decades apart, and the space in which they find themselves can be indoors or outdoors. All that is required is that those sparks start flying.
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BRIGHT IDEAS
Friday, August 28th, 2009
Remember Beverly Sutphin, the sociopathic serial killer heroine of John Waters’ movie Serial Mom? Well, dear old Bev may just have met her match in Genevra Bradley, a mother who will do anything—and I do mean anything—to get her 3-year-old son into Bright Ideas, the most prestigious preschool in town.
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