LOUIS AND KEELY LIVE AT THE SAHARA
Tuesday, October 27th, 2009
World Premiere musicals are pretty much a monthly event in Los Angeles, and though many of them become audience and critical favorites, even the best of them tend to disappear after their initial engagements, the business of musical theater being what it is. Thus, one can suppose that when Jake Broder and Vanessa Claire Smith debuted Louis And Keely Live At The Sahara at Sacred Fools Theater back on May 30 of last year, the duo had reason to expect that their self-penned tribute to Louis Prima and Keely Smith would close as scheduled on June 29–and that would be the end of it.
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BETTER ANGELS
Saturday, October 24th, 2009
An elderly man enters from the back of the theater, climbs slowly onto the stage, and apologizes for his late arrival. Pointing to a star-spangled banner framed upstage center, he declares, “A beautiful flag, is it not?,” adding, “Forty-five stars.” (Program notes give the year as 1909.) This elderly man, John Hay, informs us that he is going to tell us a story … about “a man, a lady, and a man whose secretary I was. The lady will be new to you, but the man will be as familiar to you as the penny in your pocket.”
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WHITE CHRISTMAS
Thursday, October 22nd, 2009
Christmas has arrived early this year in beautiful downtown Fullerton as FCLO Music Theatre presents the stage adaptation of the 1954 movie classic White Christmas. Those who wonder if that’s jumping the gun a tad have only to visit their neighborhood shopping mall to see that the holiday season is already upon us. Besides, with Irving Berlin hits like “Blue Skies,” “The Best Things Happen While You’re Dancing, “Sisters,” and “Count Your Blessings Instead of Sheep” appropriate for any month of the year, a plot that isn’t all that “Christmas-centric,” and choreography that entertains equally in October or December, White Christmas is an appealing Fall CLO offering.
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WHO’S AFRAID OF VIRGINIA WOOLF
Tuesday, October 20th, 2009
The first act of Edward Albee’s Who’s Afraid Of Virginia Woolf is called “Fun And Games,” but beware. These are not your usual party games, as audiences can once again discover in Hermosa Beach Playhouse’s absolutely sensational revival of the 1962 Broadway classic. Under Stephanie A. Coltrin’s expert direction, and featuring bravura lead performances by Matthew Brenher as George and Suzanne Dean as Martha, this is a production that more than holds its own against the Bill Irwin/Kathleen Turner Broadway revival which played the Ahmanson a few years back, or last season’s Ovation-nominated staging at the Rubicon.
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GUYS AND DOLLS
Sunday, October 18th, 2009
If you want to know why Cabrillo Music Theatre was the most honored company at last year’s Ovation Awards ceremony, winning six crystal trophies for their productions of Jekyll & Hyde and Singin’ In The Rain, check out their equally award-worthy revival of Frank Loesser’s Broadway classic Guys And Dolls. With musical theater director extraordinaire Nick DeGruccio at the helm, Broadway-worthy choreography by Roger Castellano, an all-around terrific cast of twenty-nine, and a sensational design team, this Guys And Dolls proves just how great CMT has become under President/CEO Carole W. Nussbaum and artistic director Louis Wilkenfeld.
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SONGS FOR A NEW WORLD
Saturday, October 17th, 2009
Before Parade, before The Last Five Years, before 13, the now-renowned composer/lyricist Jason Robert Brown made his first big splash on the New York musical theater scene with Songs For A New World, a song cycle about facing the “new world” that unexpected life changes can bring about. This glorious collection of songs now returns to the L.A. area in a terrific revival at Long Beach’s International City Theatre, masterfully directed by Jules Aaron.
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DADDY LONG LEGS
Saturday, October 17th, 2009
Jean Webster’s 1912 novel Daddy-Long-Legs, a favorite children’s book for nearly a hundred years now, has been turned into an exquisite gem of a musical, and one not just for youngsters. In fact, it’s hard to think of another musical so absolutely right for ages eight to eighty. In the inspired hands of composer-lyricist Paul Gordon and writer-director John Caird, the Rubicon Theatre’s production of Daddy Long Legs proves to be one of the most enthralling, entertaining, and moving love stories I’ve seen on the American musical theater stage.
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MOONLIGHT AND MAGNOLIAS
Saturday, October 10th, 2009
Hollywood legend has it that movie mogul David O. Selznick shut himself, director Victor Fleming, and script doctor Ben Hecht inside his office for five straight days, the three men subsisting entirely on a diet of bananas and peanuts, as Hecht rewrote the entire script of Gone With The Wind, a book he’d never read.
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