RENT
Friday, March 19th, 2010
Following their outstanding 2009 revival of Stephen Sondheim’s Sweeney Todd, The El Camino College Theatre Department has made Jonathan Larson’s Rent this year’s annual musical theater production, and the result is a thoroughly professional, often exciting staging of the 1996 Pulitzer Prize and Tony Award-winning hit.
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A GIANT ARC IN THE SKYCAPE OF DIRECTIONS
Thursday, March 18th, 2010
Playwright Michael Vukadinovich takes a half dozen or so Biblical characters and stands them on their ear in his lyrical, fantastical new play A Giant Arc In The Skyspace Of Directions Or The Story Of Miracles.
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IN A GARDEN
Tuesday, March 16th, 2010
Middle East Meets West in Howard Korder’s thought-provoking culture clash dramatic comedy In A Garden, now playing to considerable acclaim at South Coast Repertory.
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SWEENEY TODD
Sunday, March 14th, 2010
Anyone who’s seen only Tim Burton’s film adaptation of Stephen Sondheim’s Sweeney Todd or the “high-concept” production at the Ahmanson last year is hereby advised to head down (or up or over) to Torrance and catch the absolutely phenomenal revival being staged at El Camino College.
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SIDE BY SIDE BY SONDHEIM
Sunday, March 14th, 2010
Yes, Virginia, there was a Stephen Sondheim before Sweeney Todd, Merrily We Roll Along, Sunday In The Park with George, Into The Woods, Assassins, Dick Tracy, and Passion—as the 1976 musical revue Side By Side By Sondheim makes perfectly clear.
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TRYING
Saturday, March 13th, 2010
There are times when all it takes is two actors to fill a stage, to fill it with humor and drama and heart. Trying, Joanna McClelland Glass’s much-loved two-hander, provides a pair of actors with just such an opportunity to shine.
OEDIPUS EL REY
Sunday, March 7th, 2010
Where so-called “edgy” or “experimental” theater is concerned, the line between brilliant and pretentious is a fine one indeed, and in this reviewer’s experience at least, the latter is more often the case than the former. That’s why it’s such a pleasure to report that Theatre @ Boston Court’s production of Luis Alfaro’s Oedipus El Rey is out-and-out brilliant theater, even for playgoers whose tastes run, as mine do, more toward the traditional.
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MEN OF TORTUGA
Thursday, March 4th, 2010
In a stylish but sterile white office suite, three well-dressed men are discussing what appears to be an assassination plot with a rather scruffy, tattooed visitor whom one surmises to be the prospective assassin. The latter has qualms, not about the equipment he’ll be using, but about the pane of glass he’ll have to be shooting through. The window could affect the trajectory, he explains, adding that even humidity can affect a bullet’s course. “I’d have to say you have a low chance of success,” he informs the others. Since neither the time nor the place of the assassination can be changed, he concludes that a rifle is clearly not the answer. “If you want to do it, you’ll have to bomb the whole room,” he suggests. Maybe do it with a missile? The oldest of the three plotters has an even better idea—to put someone in the room who is willing to pay the price. He then volunteers to be that man.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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