CELEBRATE ME HOME 2


The second Sunday of the month turned out once again to be an evening to remember when Aaron Jacobs’ Spotlight Cabaret presented its second annual Christmas cabaret—Celebrate Me Home Deux—at downtown L.A.’s Café Metropol.
(read more)

ELEVATOR


Few L.A. theater success stories can rival that of Michael Leoni’s Elevator. Opening last June at the tiniest of the Hudson theaters for a mere seven performances at the Hollywood Fringe Festival, Elevator proved such a hit with audiences that it returned in July for a month-long run. Good fortune then struck with a Critic’s Choice review in the L.A. Times, and Elevator’s producers had themselves a bona fide hit. In September, the show re-reopened at the considerably larger Hudson Mainstage for another month of performances, ultimately re-re-reopening in October at the Macha, where it now heads into the homestretch of a smash two-week-turned six-month run fueled almost entirely by word-of-mouth—though the L.A. Times review certainly didn’t hurt.
(read more)

THE 1940s RADIO HOUR


Anyone under the age of seventy may find it hard to believe there was home entertainment before television, but in the 1930s and ‘40s radio ruled the airwaves with variety shows which brought the voices of stars like Frank Sinatra, Dinah Shore, and Betty Grable into living rooms across America.
(read more)

A QUEER CAROL


Charles Dickens’ A Christmas Carol gets a contemporary gay spin—and quite a good one at that—in Joe Godfrey’s A Queer Carol, now getting its Southern California Premiere at Santa Ana’s Theatre Out.
(read more)

MURDERERS


Jeffrey Hatcher’s Murderers is a theatrical experiment that works, though at first glance you might have your doubts. You might well wonder, for example, if three monologs delivered one each by a trio of actors can possibly be called a play. After all, the actors appear together on stage only twice, first for Murderers’ opening lines (“I am a murderer.” “I am a murderer.” “I am a murderer.”) and second at curtain calls. In fact, the only thing the monologs have in common is their setting—Florida’s Riddle Key Retirement Community—and the fact that each is being delivered by a murderer. Is this really a play, let alone one given thumbs up by the New York Times?
(read more)

ALL HAIL THE QUEEN


There are divas galore in the biz we call show, but none burn brighter than Olivier Award-winning Lesli Margherita, or so she reminds us (tongue decidedly in cheek) throughout her self-lovingly titled dazzler of a cabaret act, All Hail The Queen.
(read more)

SANTA CLAUS IS COMING OUT


Santa Claus Is Coming Out this Christmas in Jeffrey Solomon’s hilarious, beautifully acted solo-mock-u-mentary now playing at San Diego’s Diversionary Theatre.
(read more)

COLD LANG SYNE


In college, frat brothers Trevor, Perry, Garth, and Mark were known as the Four Musketeers of Sigma Pi, and since then—once every four years for the past twenty years—they’ve been reuniting to catch up on old times. There’s only one hitch. Trevor, Perry, and Garth can’t stand Mark’s guts, and wouldn’t mind at all if he dropped dead.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »