9 TO 5


Violet, Doralee, and Judy, the trio of office gals made famous by Lily Tomlin, Dolly Parton, and Jane Fonda in 1980’s 9 To 5 are back—in a re-directed, re-choreographed, re-designed National Tour of the Broadway musical which world premiered a few years back at the Ahmanson.
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RENT


When Jonathan Larson’s megahit Rent ended its twelve-year-long Broadway run in 2008, regional theaters finally got their crack at staging the now iconic tale of impoverished young artists and musicians living in New York’s Lower East Side during the darkest days of the AIDS epidemic. Sadly though, despite an (over)abundance of Southern California productions since then, few appear to have achieved the greatness that Rent deserves. This is a show that requires bona fide triple threats in all its roles, including its many ensemble tracks, and despite our SoCal talent pool, this may have proved more easily said than done.
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THICKER THAN WATER


Three-time Best Actress Emmy-winner Barbara Bain and well-known film/TV actor D.B. Sweeney are among the baker’s dozen performers headlining Thicker Than Water, an entertaining, perceptive evening of one-acts by Dale Griffiths Stamos at Santa Monica’s Promenade Playhouse.
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THE MALCONTENT


An overthrown national leader sneaks back into to his country in disguise, hoping to engineer a return to power. To do so, he must match wits with the new leader’s ruthless, ambitious young protégé, who is having a secret affair with the new leader’s beautiful young wife, who is in turn being pursued by a second handsome, unprincipled schemer. And that’s just the start of two and a half hours of lust, intrigue, betrayal, passion and politics in John Marston’s The Malcontent.
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THE COLUMBINE PROJECT


Few L.A. theater projects have had quite the success (or the journey) of The Columbine Project, Paul Storiale’s meticulously researched docudrama about the Columbine High School massacre of 1999. World premiering in April of 2009 at the 48-seat Avery Schreiber Theatre in North Hollywood, The Columbine Project was extended twice before transferring to off-Broadway with unprecedented swiftness (and with the entire L.A. cast intact). Its July through October New York run at the Actors Temple Theatre was praised by the prestigious New Yorker magazine as a production which “fills the tiny, funky theatre with talent and gravity.” In December of the same year, the original North Hollywood production was awarded five ADA (Artistic Director Achievement) Awards including a Best Director award for its creator/writer/director Paul Storiale.
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I NEVER SANG FOR MY FATHER


As long as there are parents and children and their accompanying relationship ups-and-downs, Robert Anderson’s I Never Sang For My Father will remain every bit as relevant to our times as the latest World Premiere drama. For proof positive, do not fail to catch The New American Theatre’s superb revival at the McCadden Place Theatre.
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HOUSE OF THE RISING SON


“There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one”

The New Orleans mansion Trent Varro shares with his father Garrett and grandfather Bowen may indeed prove the ruin of Felix Martin, or so it would seem when the young Angelino catches sight of the shocking tableau which ends Act One of Tom Jacobson’s World Premiere drama House Of The Rising Son. (No, the last word isn’t misspelled.)
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THE PRISONER OF SECOND AVENUE


Neil Simon revealed a considerably darker side than was his wont in his 1973 hit The Prisoner Of Second Avenue, which Jason Alexander now stars in at North Hollywood’s El Portal Theatre in a production that rivals the best of Broadway revivals.
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