MY FAIRYTALE


Solvang celebrates its 100th birthday with the American Premiere of a new(ish) musical by Stephen Schwartz of Wicked fame—newish because the Hans Christian Anderson bio-fantasy got its World Premiere six years ago in Copenhagen (to mark the fairy tale master’s bicentennial) and American because the original production was acted and sung in Andersen’s native tongue. Though not on a par with the aforementioned Oztastic megahit, the still highly entertaining My Fairytale benefits from an outstanding cast, breathtaking costuming, beautifully staged production numbers, and a number of instantly hummable Schwartz tunes.
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TARTUFFE (OR THE IMPOSTER)

If like this reviewer you’ve never seen a show at The Will Geer Theatricum Botanicum, then you are in for a treat, particularly if Moliere’s Tartuffe is your first exposure to this rustic gem of a an outdoor theater.

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STEEL MAGNOLIAS


Those Steel Magnolias are back, and Ventura’s Rubicon Theatre has got’em—in a simply couldn’t-be-better production, one which is blessed with six of the finest performances you’re likely to see all year.
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PRIVATE LIVES


For a comedy that’s now reached the ripe old age of seventy one, Noël Coward’s Private Lives remains as young, fresh, and lively as ever—and those in need of proof need simply check out the terrific Private Lives revival now playing at Long Beach’s International City Theatre.
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LIFE ON THIS COUCH


ec•cen•tric ([ik-sen-trik, ek-)—adjective: (of a person or behavior) Unconventional and slightly strange, as in “No one writes eccentric characters quite like Laura Richardson.”

For proof of the above, head on over to Open Fist Theatre where Richardson’s latest, Life On This Couch, is delighting audiences with the playwright’s unique, quirky, and thoroughly entertaining take on life. Like the eccentrics in Richardson’s Do Do Love and Come Back Little Horny, the people who live on and around Cece Taylor’s sofa are folks you might not want to live with 24/7, but it sure is fun to spend a couple hours observing the habits, mating and otherwise, of this wild and crazy bunch.
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BEAU JEST


Perhaps the three best words of advice to offer any theater company hoping to stay in business year after year are the following: Know Your Audience. The post-retirement set who make up Glendale Centre Theatre’s loyal subscribers keep coming back again and again because they trust GTC to give them the kind of time-proven hit musicals and plays that they grew up enjoying, shows like this season’s Forever Plaid, To Kill a Mockingbird, Big River, and 1776, to name just a few.

Beau Jest, the current Glendale offering, isn’t going to win any “Drama Critics’ Circle” awards for sophistication, daring, or cutting-edgedness. In fact, the New York Times savaged a New Jersey production back in 1994 in a review which still shows up first if you Google the title. But tell that to last night’s mostly over-65 crowd, who loved every one of Beau Jest’s sitcommy jokes and archetypical characters, and you know what? Even though I’m not quite as up there in age as the majority of the aforementioned, I too had a ball from start to finish, thanks in great part to the terrific talent who’ve put together GCT’s latest offering.
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ENGAGING SHAW


If it’s true that the human brain is our largest erogenous zone, then things must have gotten pretty darned erotic between George Bernard Shaw and Charlotte Payne-Townshend, or at least such is the case in Engaging Shaw, John Morogiello’s highly intelligent, highly entertaining, and yes, highly engaging romantic comedy, now getting its West Coast Premiere at San Diego’s Old Globe Theatre.
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HAIRSPRAY


Like the month of June, Edna and Tracy Turnblad seem to be “bustin’ out all over” these days, their smash Broadway hit musical Hairspray making the rounds of Southern California regional theaters to the delight of subscribers and single-ticket buyers alike. Residents of San Diego-adjacent Vista (and anyone lucky enough to be within driving distance of Moonlight Amphitheatre) are the latest to receive a visit from the full-figured mother-daughter team who first took the world of musical theater by storm in their 2003 Broadway debut.
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